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...third act winds up the show in a frenzied carousal--with Three Men in Blue (transformed from gold)--through some fast and furious renditions of Sha Na Na's best numbers...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

What the change in format, the more relaxed atmosphere, the new material indicate is a marked shift toward the theatrical in Sha...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

...show, which Sha Na Na promoters are boosting for a run on Broadway, opens in the traditional Sha concert style. Highlighted by the Three Men in Gold, the band blitzes through a series of oldies--from "Yakety Yak" to "Tell Laura I Love Her," from "Splish Splash" to "Tears on My Pillow...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

From there, though, Sha Na Na heads off onto a whole new tangent that is more theater than concert. The second act, "Sha Na Na Hits the Street," features props and backdrop assimilating a New York streetscape, complete with lit lamp post, brick wall scrawled with initials and obcenities, and a clothesline dangling scraggly threads. Act two then moves to a hop and ends with a dance contest emced by Bowzer in which three members of the band choose partners from the audience...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

...more important to the revival of Sha Na Na than the change in format, is a new attitude and style. The group has slowed down its entire performance. Sha Na Na no longer sprints through its program like a runaway street car. The songs that had become mechanized and two-dimensional are now calmer and more personal. Of course, the group has had to sacrifice quantity for quality, but it is a sacrifice that rock and roll lovers everywhere should welcome...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

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