Word: shacks
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Dates: during 1970-1979
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Peeling in public for pay is a venerable occupation, but in the old sexist order the clothes came off a woman and the cheers came up from an audience ol men. But today at the Sugar Shack in Lake Geneva, Wis., or at the Red Pussycat in Salina, Kans., or the El Matador in Odebolt, Iowa, the women are watching and the men are bumping and grinding...
...Lake Geneva's Sugar Shack, a spacious, somewhat rundown nightspot, there is runway action thrice nightly. For a $4 cover charge and a two-drink minimum, a female customer can catch a 1-hr. 45-min. show-and usually a pinch of beefcake too, if she feels the urge. The revue begins with Guy Garrett, 24, a former construction worker who parades onstage dressed in a white satin vest and glittery pants. Gyrating to the blast of disco music, he invites women to help him unzip, and for a close he allows a giggling...
...desperation, the Mokhtaris moved to Tehran 30 years ago. They have done better than most. Until four years ago, twelve members of the family lived in a one-room shack at the bottom of an abandoned ravine, surrounded by scrap, refuse and old tires. They struggled and sacrificed their way from the bottom of the ravine to the top of the hill. They built a two-story house with a Mediterranean-style courtyard, with electricity to power a TV set, a hi-fi and an air conditioner. Mrs. Mokhtari is proud of the honest work of her sons, who helped...
...sailors liked leather-craft, and started marketing scraps and tools to hospitals through his father's shoe-leather company. By the early 1960s, he directed Tandy Corp., the nation's largest purveyor of handicrafts, and in 1963 added a bankrupt chain of ham-radio shops called Radio Shack that he eventually expanded into a company of 6,500 outlets, currently grossing more than $1 billion yearly...
ONEELEMENT INTRINSIC to the Evans style is his awareness of and desire to give a dignity and significance to even the most commonplace. The view of the dilapidated interior of a sharecropper's shack is rendered with a clear rectilinear organization of forms and the delicate play of the patterns of natural light. There is no question of the respect Evans feels for his subjects; neither people nor objects are manipulated or abused. Diane Arbus clearly shares this same respect in her portraits of New York city eccentrics. In the portrait "Teenage Couple on Hudson Street, N.Y., 1963," the people...