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...first play, Tennessee, by Romulus Linney, a frontier family arrives at its recently-acquired shack ("We're here, ain't we?") and the father, a weatherbeaten, Abe Lincolnish icon of American spirit, makes long, slow speeches about how he "growed up crawlin' on a dirt floor like a goddamned ant" and now that the war's over he's gonna harness these here fifty acres; his wife stands awkwardly on the porch and pulls at her shawl (for the entire play, in fact); and his well-rouged son chimes in about cutting the brush over yonder. Then a badly made...

Author: By David B. Edelstein, | Title: Cowardly Trilogy | 12/2/1981 | See Source »

McCurdy noted that Cornell was a gracious host, going so far as to provide a crimson shack to shelter the team from the blustery weather...

Author: NO WRITER ATTRIBUTED | Title: X-Country Teams Post Lopsided Wins | 10/10/1981 | See Source »

Americans feel a little sheepish about complaining, or they should. The cheap-jack bungalow on the wrong side of the beltway is still no Mongolian yurt, no tar-paper shack in one of Rio's mountainside favelas. It is not Soviet housing, with the five-year waiting list for a room of one's own, and couples sometimes stolidly enduring their marriages because there is no other apartment (no other bed, even) to escape to. It is not like the arrangements in dense Hong Kong, as busily transient as an ant colony, or Tokyo, where much middle-class...

Author: /time Magazine | Title: Essay: Downsizing an American Dream | 10/5/1981 | See Source »

...incident in particular encapsulizes the sadness Oney found in Leary. Oney stopped into a bar--"a little tar-paper walled shack"--one evening and struck up a conversation with a middle-aged Black man who worked in a peanut warehouse. The two men became hungry, and drove some 30 miles in Oney's car to a steak house. But as the men got in line to order, Oney suddenly realized from his companion's confused look that his new friend was illiterate. Oney's discomfort grew when the two reached the salad bar--and he realized his acquaintance "didn...

Author: By Paul A. Engelmayer, | Title: Covering the National Drama | 9/25/1981 | See Source »

August, the Williams persona (Craig Smith), lives in a shack on the dunes, writing his first major play and trying to entangle Kip, a dancer and Nijinsky look-alike (Elton Cormier), in his grimy bedsheets. But both Kip and Clare (Dominique Cieri), who acts as his protector, are doomed, he by a brain tumor, she by diabetes. The entire work is shadowed by death, which is approaching as quickly as the fall. Both characters seem so tentative, however, that it is even hard to imagine that the end, when it occurs, will matter much to them or anyone else...

Author: /time Magazine | Title: Theater: Summer of 1940 | 9/21/1981 | See Source »

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