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...concert at Manhattan's Metropolitan Museum was a typical Schneider enterprise. It was part of yet another series directed by him. The program consisted of chamber works by Haydn, Mozart and Schubert, all played by Schneider and his fellow performers with much warmth, zest and perhaps a shade too much emotionalism (in Schneider's view, "Haydn was a romantic composer; Mozart too-and Bach"). The performance was unified, but each player had the freedom to express his own personality. "Homogeneity is the worst thing in music," Schneider explains. "It is not so good in marriage either. The first...

Author: /time Magazine | Title: Violinists: Second Fiddle, con Brio | 7/26/1968 | See Source »

...Maurice F. Freehill, professor of educational psychology at the University of Washington. "Black is In this year," beams a Negro Washington. D.C., student and he has been making the most of it. Handsome and athletic, he drives a Cadillac, walks a Doberman pinscher and holds court under the shade trees of Washington's Dupont Circle. He has more white girl friends than he knows what to do with. "They pass me around," he says with amazement. "They think I'm this potent black Adonis, this ebony...

Author: /time Magazine | Title: Modern Living: Black & White Dating | 7/19/1968 | See Source »

...John Kenneth Galbraith pleads innocent. Is the Wall Street Journal perhaps sheltering an upstart? No. Impeccable leaks lead to George J. W. Goodman, 37, a former Rhodes scholar, novelist (The Wheeler Dealers), onetime writer for TIME and FORTUNE, and now editor of a journal for mutual-fund managers. A shade under medium height, conservatively sheared, dressed and spectacled, Goodman blends in perfectly with the traffic on Wall Street. He is the archetypal mild-mannered reporter who, in times of imminent absurdity, steps behind a typewriter and strips down to his superego...

Author: /time Magazine | Title: Books: Auric Mysteries | 6/21/1968 | See Source »

...themselves to art that exists primarily in the mind's eye. Called "conceptual art," it usually exists in the form of a scale model, a preliminary sketch or a written description, suitable for framing. Any of these items, the artists explain, are but a hint, a shadow, a shade, a clue to the real thing, which is usually some concept so complex, so subtle, so abstract or simply so large that it cannot be reduced to a mere two or three dimensions...

Author: /time Magazine | Title: Exhibitions: A Hint, a Shadow, a Clue | 6/14/1968 | See Source »

...picture window that turns opaque at the flick of a switch, giving those inside instant shade and absolute privacy. A wall clock, no thicker than a pane of safety glass, that flashes the hour without any tick or hum. A small screen that records the face of a telephone caller even when no one is home to pick up the receiver. Such items may seem like excerpts from a catalogue of 21st century technology, but RCA scientists say that they are already within reach. And they are only a small sampling of the practical new uses that are promised...

Author: /time Magazine | Title: Chemistry: Crystal Versatility | 6/14/1968 | See Source »

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