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Instead of living in the shadow of their early fame, the four hip New Yorkers have brightened the paradoxically dark synthesized instrumental beats and cryptic lyrics of Turn On The Bright Lights. This evolution became tangible in concert as they progressed backwards, from new album to old, slowly speckling in songs from Bright Lights as Antics faded into the distance...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

Rocking the stage in formal suits, ties, vests, (and one beanie) Interpol sleekly managed to attain the impossible: a calm vibe in a sparkling atmosphere. Basking in the shade of their backstage multicolor spotlights Paul Banks’ rich voice became a static shadow glued to center stage, Sam Fogarino’s brilliant percussion a shimmer of cymbals, and Carlos D.’s bass a rock of rhythm...

Author: By Nicole E. Rosner, CONTRIBUTING WRITER | Title: Rock Doesn't Tear Interpol Apart | 3/18/2005 | See Source »

...Idei was never viewed as an heir. Insiders referred to him as the company's first "salary-man CEO," implying that he was merely a hire and not a family member. Idei fancied himself as a kind of outsider, and vowed to drag Sony out of Morita's "sentimental shadow" into rationalized daylight...

Author: /time Magazine | Title: Searching for the Inner Samurai | 3/14/2005 | See Source »

...Little Foxes, she played Lou Gehrig's wife in The Pride of the Yankees and won an Oscar for her role as Greer Garson's daughter-in-law in Mrs. Miniver. Her wholesome but refined screen presence graced some of the '40s best movies, including Alfred Hitchcock's Shadow of a Doubt and William Wyler's The Best Years of Our Lives. Still, she was fired by her benefactor Samuel Goldwyn for refusing to don swimsuits for publicity photos. "I'm just not the glamour type," she said...

Author: /time Magazine | Title: Milestones | 3/14/2005 | See Source »

...Foxes, she played Lou Gehrig's wife in The Pride of the Yankees and won an Oscar for her role as Greer Garson's daughter-in-law in Mrs. Miniver. Her wholesome but refined screen presence graced some of the best films of the '40s, including Alfred Hitchcock's Shadow of a Doubt and William Wyler's The Best Years of Our Lives. Still, she was fired by her benefactor, Samuel Goldwyn, for refusing to don swimsuits for publicity photos. "I'm just not the glamour type," she said...

Author: /time Magazine | Title: Milestones Mar. 21, 2005 | 3/13/2005 | See Source »

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