Word: shadowed
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Dates: during 2000-2009
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Unlike Arbus, who distilled every image down to a single, devastating idea, Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalog, Peter Galassi, MOMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that "the physical world had been broken into fragments and reconstituted under pressure at three times...
...tells TIME. "Mark Felt doesn't even know who he is half the time." Foster says he turned down a joint project after deciding that Felt's mental capacity was far too diminished. But at least Felt knows Deep Throat will not go down in history as just a shadow in a trench coat. As the Washington Post itself put it, "It's nice to be able to honor him by his real name while he still lives." --Reported by Jeffrey Ressner/ Los Angeles, Nathan Thornburgh/New York, Chris Taylor/ San Francisco and Karen Tumulty/ Washington...
Designers are determined to look on the bright side this spring and summer, with saturated colors turning up on everything from waterproof rubber ballet flats (the shoes of the season) to fitted jackets, sunglasses and even eye shadow. Aqua and cyclamen pink lead the pack, but color experts say any bold shade works in warmer months. Take advantage of these punchy hues while they last. Come fall, it's going to be back to all black...
...Made in the Shade When it comes to colorful cosmetics, the eyes have it this spring with makeup artists introducing a soft, powdery palette of colors like lilac, lemon and fuchsia. Estée Lauder's Extravagant Bright collection features limited-edition eye-shadow duos designed to look like a kaleidoscope ($30 each...
...preview before the Biennale opens to the public on June 12, countries have only three days to impress the world. While Australia has enjoyed its own pavilion since 1954 and New Zealand (now at its third Biennale) shows off-site, the two countries have much in common. Under the shadow of the G8 nations that dominate the Giardini, both have to rely on marketing campaigns every bit as artful as their exhibitions. "Because you're small," explains Greive, "you've just got to be smarter and work a lot harder to get some awareness...