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...Whitney Museum's mammoth, frenetic show, "The American Century: Art and Culture 1950-2000," part two of a yearlong survey, on view through Feb. 13. The first installment of the retrospective, covering 1900 to 1950, was all about American artists striving to find their identity in the shadow of European masters--and finally making the leap with the figure-breaking canvases of Pollock. The sequel shows the rampantly imaginative shattering of that identity from Pollock onward, shuttling at high speed between the spiritually sublime and the subversively crude, with a whole lot of stops along...

Author: /time Magazine | Title: Art: Creative Chaos | 11/22/1999 | See Source »

Trying this a year ago, I would have been tempting that ominous stirring that I think of as the Shadow--the dark, incipient something in my chest, bad news that used to arrive with sweats, shortness of breath and pressures and pains wisping about the chest bones like evil electricity. A year ago, hauling the firewood might have killed...

Author: /time Magazine | Title: I'm Superstitious About Calling It a Miracle | 11/22/1999 | See Source »

...Shadow for the moment has receded. A few weeks ago, I started playing squash again...

Author: /time Magazine | Title: I'm Superstitious About Calling It a Miracle | 11/22/1999 | See Source »

...England, Sleepy Hollow is overwhelmingly gray. It takes some getting used to, as all of Burtons fantasies do, but after about ten minutes of acclimation, the setting takes shape, and you come to appreciate the brilliant construction of the town and the landscape. Corn fields shrink in the shadow of freaky-looking scarecrows, an old mansion looms over a hill in the distance, and twisted trees tower above the woods carpetted with dead leaves. Burton does a fabulous job of creating grim, dark, fearful settings. He really brings Sleepy Hollow to life--or, at least to the desired comatose state...

Author: By Sarah L. Gore, CONTRIBUTING WRITER | Title: Sleepy Hollow, Creepy Hollow | 11/19/1999 | See Source »

...Patterson finally emerged from Skelton's shadow in 1997, Harvard's championship year and Patterson's breakout season. He changed his jersey number to No. 1, and with the uniform change came a change in his game...

Author: By Cathy Tran, CRIMSON STAFF WRITER | Title: The Playmaker | 11/18/1999 | See Source »

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