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...addition, the house he constructed for hisfamily--now in the shadow of Cyclotron Laboratorynear Oxford Street--is owned by Harvard and stillcarries the name Palfrey House...

Author: By Scott A. Resnick, CRIMSON STAFF WRITER | Title: Adams House Names New Masters | 4/5/1999 | See Source »

...addition, the house he constructed for his family--now in the shadow of Cyclotron Laboratory near Oxford Street--is owned by Harvard and still carries the name Palfrey House...

Author: By Scott A. Resnick, CRIMSON STAFF WRITER | Title: Judith and Sean Palfrey Appointed Adams House Masters | 4/5/1999 | See Source »

...Some of Gore's problems come with his job, which has a history of diminishing the men who hold it, but the most glaring are of his own making--beginning with the assumption that he could set the game's pace, seizing his moment to step from the mottled shadow of Bill Clinton and lay out his vision for the country. Gore's moment is now. Miss it, nervous Democratic veterans say, and he could squander his chance to define the election. Worse, Gore's gaffes and missteps, made all the more conspicuous when he is virtually alone...

Author: /time Magazine | Title: Campaign 2000 Behind The Scenes: Stuck In The Starting Gate? | 4/5/1999 | See Source »

...Meninas, which Sargent had copied in the Prado, sank very deep into his style and would produce curious effects tinged with melancholy, like the brilliant early portrait of the daughters of Edward Darley Boit--four slightly alienated-looking moppets, their white pinafores gleaming in a cavern of bourgeois shadow...

Author: /time Magazine | Title: Art: A True Visual Sensualist | 3/29/1999 | See Source »

Tango is striking example of how a film can grasp an audience's attention with very little definitive action. A good sized portion of the film consists of dance numbers, in which Storaro takes advantage of the studio setting to use shadow, silhouette, distorted mirrors and moody lighting gels to create a dreamlike, often unrealistic effect. In the empty studio, Mario plays out his romantic fantasies and nightmares, always leaving a tinge of uncertainty as to what is real and what is imagined. Into this world Mario draws the other characters, helplessly entangled as their emotions become prey...

Author: By Julie Rattey, CONTRIBUTING WRITER | Title: Dance With Me: It Takes Saura To Tango | 3/19/1999 | See Source »

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