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...full-moon Friday night, and Jennifer, 25, a hard-core loker (smoker of methamphetamine, known as crank) has been wide awake around the clock for almost four days. She isn't yet seeing plastic people, shadow men or transparent spiders--just three of the fabled hallucinations of the Billings, Mont., crank scene, a hyperstimulated subculture sickeningly rich in slang and folklore. But she is feeling pangs of remorse about her three-year-old. On Monday, when she left her parents' house, where she has been living since dropping out of college, she promised the daughter she calls "my angel" that...

Author: /time Magazine | Title: Crank | 6/22/1998 | See Source »

...encouraged the graduates to "cast a giant shadow on our planet" through their work in the laboratory...

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Clinton Addresses Information Age at MIT | 6/19/1998 | See Source »

...tradition but also a shrewder sense of how to build on it--or trash it. For the rest of us, it renders a part of the past perpetually present, and it forces us to view the present differently: behind the young actor, we can't help seeing the shadow of Brando. What's more, right in front of our noses, our era, our present, is becoming part of the retrievable past for the 21st century...

Author: /time Magazine | Title: Right Before Our Eyes | 6/8/1998 | See Source »

...film of Nijinsky dancing, no one questions his place of honor in the history of 20th century ballet. Even if her beleaguered company should someday close its doors and her dances cease to be performed, Graham will doubtless be remembered in much the same way, for the shadow she cast was fully as long. Did she invent modern dance? No, but she came to embody it, arrogantly and spectacularly--and, it appears, permanently. "When the legend becomes fact," said the newspaper editor in John Ford's The Man Who Shot Liberty Valance, "print the legend." The legend of Martha Graham...

Author: /time Magazine | Title: The Dancer MARTHA GRAHAM | 6/8/1998 | See Source »

Those of the Old Guard didn't have to work that hard. The shadow they cast was longer, warmer; they wore their classicism so easily. Unburdened by having to make each new piece an artistic event, they simply refined and perfected their gifts. Crosby, Ella, Cary Grant--these people had lasting appeal...

Author: /time Magazine | Title: Pop Culture: High And Low | 6/8/1998 | See Source »

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