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Word: shadowing (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...make up the first exhibition of the year at the Germanic Museum. Covering a period from 1800 to the present, the display represents a great many different artists and styles. One point is uniform, however, for the Germans almost without exception are unusual draftsmen. The use of light and shadow in works such as the nudes of Georg Kolbe and Lismann brings out solid forms with fine clarity. The sharp delineation of line in etchings, woodcuts, and pen sketches creates lively real results...

Author: By H. M. C. jr., | Title: Collections & Critiques | 10/27/1938 | See Source »

Amazed by the fact that Widener Library was able to show him the original manuscript of his first play, Sir Cedric Hardwieke, the majestic Canon of the current hit "Shadow and Substance," was enthusiastic about the state of dramatics at Harvard and the reception which he received at his talk here yesterday, sponsored by the Dramatic Club...

Author: NO WRITER ATTRIBUTED | Title: Sir Cedric Hardwicke Is Enthusiastic About Informal Drama Set-Up Here | 10/26/1938 | See Source »

Cedric Hardwieke, from the current hit production "Shadow and Substance" now playing Boston, is scheduled to speak this afternoon at 4:30 o'clock in the Junior Common Room in Winthrop House...

Author: NO WRITER ATTRIBUTED | Title: Cedric Hardwieke to Speak On the Theatre at Winthrop | 10/25/1938 | See Source »

Across the face of civilization, the shadows of ever changing ages cast kaleidoscopic patterns. Now it is the golden shadow of Romanticism blending into the rose of Humanism, now the purple of Classicism rising to the emerald of Idealism only to deepen into the ebon hue of Realism; then all the shadows intermingle to tremble back and forth across the mind of man, to influence man's living, to influence, perhaps his death...

Author: By V. F. Jr., | Title: The Playgoer | 10/19/1938 | See Source »

...paint this pattern, to cull and condense and throw into his medium the essence of the age in which he lives is the high purpose of the dramatist. Some dramatists limit their scope to the portrayal of but one shadow, some become hopelessly embroiled in combinations too great for their artistry, but once in a great while a dramatist avoids the overemphasis of one hue to the exclusion of all others and sometimes he avoids the dilemma of a canvass splattered with all hues. When he has done this he has created a clay in which the pertinent colors...

Author: By V. F. Jr., | Title: The Playgoer | 10/19/1938 | See Source »

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