Word: shadowings
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Dates: during 1990-1999
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From our earliest days as network executives and, before that, as students of the medium and charter members of the first generation of TV viewers, we have lived and worked in his giant shadow. Having established our own production company, we are humbled by the success of a man who started with nothing and by force of will ignited a revolution that has had an unparalleled effect on our society...
...pulls back the curtain on Elizabeth, rehearsing a momentous address to the bishops of England, does the Queen herself take center stage as a feminist vision of powerful womanhood--using intelligence, humor and finesse to spellbind her subjects with her own authority. For once, the film emerges from the shadow of its most prominent artistic antecedent: The Godfather. In this sequence, we watch as Elizabeth rewrites history, beginning her speech halting and uncertain, and slowly coming into her own as a power broker. This, finally, is a display of the allure of power at its best--Blanchett's charisma becomes...
...relief, the Handbook on Race Relations did no such thing. It is an entirely uncontroversial collection of interesting essays from students and scholars that, according to Dean Archie Epps, should "deepen our understanding of the light and shadow surrounding the important subject of race relations" and "affirm the `common ground' in human experience." But what is this "common ground"? If we could define this nebulous area of human experience, that would certainly be a step in the right direction...
...least the condition has an obvious solution close to its source: with my own apartment, equipped with the recipes that made me this way, I recreate a semblance of the good old foods. It is a mere shadow on the wall of the true table, however; I am just a beginner...
...poisons of anti-Semitism. His eyes were failing too. In this show, which travels next to the J. Paul Getty Museum in Los Angeles, the best pictures match his dryness to his darkness. Go first to his elastic Nude (Drying Herself), which begins in weird lamplight and ends in shadow. As raw as any of E.J. Bellocq's shots of New Orleans prostitutes, it also has the strange torsion of Lee Friedlander's tumbling nudes. This is Degas, cold and formidable, who saw what was angular in what was modern, even when he painted ballerinas...