Word: shadowlight
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...early fifties allowed him and his dancers to lose their self-conscious mannerisms and to gain access to a deeper source of movement-imagination. It seems that using overcoats and simple face masks has done the same for Borg. In his piece in the Harvard/Radcliffe workshop performance last February, "Shadowlight," he seemed to reach for a dramatic depth that wasn't there. With "Between Two Moons" Borg has found that depth, the well-springs for a drama surreal and otherworldly...
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