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Word: shadows (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...intentional autobiographical bent of Not at the Palace brings dramatic continuity to a genre (vaudeville) which often suffers from the lack of it. The songs, the dialogue, and even the dancing help create a detailed and remarkably consistent portrait of Masiell. Born in Brooklyn, Masiell was raised in the shadow of his father, a lyric tenor, and adulates him to this day, calling him "kind of an early Italian Tom Jones." At least two songs, Io e Te" and Hey Poppa," reflect his father's influence, and while their sentimentality mars the fluency of the program a bit, Masiell...

Author: By Jamie O. Aisenberg, | Title: The Ghost of Vaudeville | 2/23/1979 | See Source »

...Thailand--I think that may be somewhat less in the post-Vietnam period but I don't think it's eroded to that extent that there's nothing of residual value there. I think in particular, some of the criticism that's been going on in the Philippines is shadow-boxing over what rent will be paid for the American military base...

Author: NO WRITER ATTRIBUTED | Title: Triangle Diplomacy | 2/16/1979 | See Source »

...overriding subject of Narratives, Earl Kim's new musical adaptation of various excerpts from Samuel Beckett's work. In seven skits Kim effectively captures the essence of Beckett's purgatory-a world founded on the premise of an irreducible absurdity-one in which the realms of the shadow and substance constantly collide,interweave and fall apart. In this world characters are racked by doubt and tormented by a nightmarish past which they cannot escape or hope to understand. Purgatory is not a way-station between heaven and hell in Kim's view, it is the Universe itself, driven by doubt...

Author: By Ken Wise, | Title: Talking Instruments | 2/13/1979 | See Source »

...long shadow across Heroes of Rock 'n' Roll, of course, is Elvis Presley. He gets a whole segment to himself, which includes his first Hollywood screen test, an appearance on the Milton Berle show and the great title number from Jailhouse Rock. In Elvis!, directed by John Carpenter and written by Anthony Lawrence, he is also treated well but the shadows deepen even further. He becomes the classic figure of American success: famous, frightened and mother-fixated. The movie catches Presley's suicidal insulation, the shifts of mood and all his uncertainty, manages to make his success...

Author: /time Magazine | Title: Music: Good Rocking in Store | 2/12/1979 | See Source »

...curves his lip well. Russell plunges deeply into Presley's psyche, bringing all the talent and all the obsession right to the surface. He and Director Carpenter contrive an introduction that eerily sets the tone of the movie and fixes their subject all at once: his I shadow deep on a white wall, Presley sits alone in a dark Las Vegas hotel room, dressed all in black, watching television from behind dark shades, waiting for the night and his first show. It's good drama and good rock 'n' roll...

Author: /time Magazine | Title: Music: Good Rocking in Store | 2/12/1979 | See Source »

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