Word: shadows
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Dates: during 1980-1989
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Even in terms of temperament, the country shows signs of becoming a more mature product. The tawdry antics of the TV evangelists last year helped to encourage the faithful to discriminate between superficial and serious religion. Movies such as Broadcast News urge the triumph of substance over shadow, as does the popular television series L.A. Law, which has recently turned its hand to social-action stories and away from money, its founding muse. Tom Wolfe, who has forged a career out of the superficialities of the times, now produces a novel about vanity, sensing that people may be ready...
...advancing middle age, even if there is a little thickening around the middle, some slackening under the firm jawline. Sartorially, as ever, his daywear is conservative, the evening wear outrageous: long flowing cape, high midnight-blue boots, tights that fit closer than epidermis and, across his chest, the shadow of a black bat, ascendant...
...optimistic schedules proposed by Dr. Teller for deployment of an X-ray laser weapon are impossible." Woodruff's accusations have split the lab into bitter factions; they have also cast doubt on the scientific integrity of Livermore, a facility founded with Teller's support in 1952, and cast a shadow over Reagan's Strategic Defense Initiative...
...Hoffman hypothesis of atomic aging, the world was about 22 years old. The baby-boom generation, not only in America but in much of the rest of the world, grew up not merely in the shadow of the Bomb but also in an envelope of common experiences. Television gave them a collective memory -- of Howdy Doody and Beaver Cleaver, of public events (most vividly and traumatically, the assassination of President John Kennedy). Then, in the mid- and later '60s, the young endlessly enriched and elaborated their culture, through music mainly and through drugs and costume and linguistic style (groovy...
...cremated Jewess who is also the archetypal Beloved of the Song of Solomon, interweave in Kiefer's work in a haunting and oblique way. Margarete's presence is signaled, like a motif in music, by long wisps of golden straw, while Shulamite's emblem is charred substance and black shadow. Hence Kiefer's tragic image of Shulamite, 1983: a Piranesian perspective of a squat, fire-blackened crypt, the paint laid thick in an effort to convey the ruggedness of the masonry, whose architectural source (as Mark Rosenthal points out in his astute introduction to the difficulties of Kiefer's work...