Word: shadows
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There is another invisible presence in The Big Chill: that of Film Maker Lawrence Kasdan (Michigan '70). Kasdan came to a kind of shadow prominence writing scripts for George Lucas; if The Empire Strikes Back, Raiders of the Lost Ark and Return of the Jedi juggle craftiness with kid-innocence, it is partly owing to Kasdan's easy wit and trove of B-movie lore. His debut as a writerdirector, Body Heat, updated the Double Indemnity plot with equal measures of fire and ice. The Big Chill marks another sure step forward for Kasdan. This is a movie...
...known as the abrasive psychiatrist who provided tidy Freudian explanations for the murders in Alfred Hitchcock's Psycho, Oakland also starred in three TV series (Toma, The Night Stalker, The Black Sheep Squadron) and portrayed a terminally ill cancer patient in the 1977 Pulitzer-prizewinning Broadway play The Shadow...
...premise of Ozick's new novel is the uneasy condition of the Jewish heritage in the prevailing Gentile culture, a subject that can be fully viewed only in the shadow cast by the Holocaust. The book's governing metaphor is the cannibal galaxy-in astronomy, one of the vast colonies of stars that devour smaller galaxies. The cannibal stands for Europe, devouring its Jewish citizens. Such out-of-the-way images spring naturally from Ozick's prodigious erudition. This novel, like her earlier short stories and novellas (The Pagan Rabbi, Levitation, Bloodshed), is dense with metaphor, often...
...younger brother is a legend in American music. Even within his family, Ira was heir to the unintentional slight: his father Morris could remember George's melodies, but to him Ira's song title Fascinating Rhythm was Fashion on the River. Working in George's immense shadow bred a wry modesty in Ira. For a 1959 collection of his lyrics, he wrote that "any resemblance to actual poetry, living or dead, is highly improbable." True, when printed on the naked page. But dressed in a sumptuous refrain and delivered by the right performer, Ira's lyrics...
...Harvard's Center for Cognitive Studies, infants as young as two weeks were confronted with a cube (or sometimes only the shadow of a cube) that began moving slowly toward them. When it seemed about to hit them, they showed what psychologists call "a strong avoidance-reaction pattern." They turned aside and squirmed and tried to avoid being struck, though they had no previous experience that would make them think that the approaching object would hit them. When such a cube or its shadow approached the babies on an angled path that would miss them, however, the babies followed...