Word: shaffers
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Dates: during 1960-1969
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...PRIVATE EAR and THE PUBLIC EYE, one-acters by Peter Shaffer, argue that The Private Ear attuned to music can be hard of hearing when it comes to women, and that a thoughtful, whimsical sharing of Public Eyefuls can lead to love...
...PRIVATE EAR and THE PUBLIC EYE, one-acters by Peter Shaffer, argue that The Private Ear attuned to music can be hard of hearing when it comes to women, and that a thoughtful, whimsical sharing of Public Eyefuls can lead to love...
...PRIVATE EAR and THE PUBLIC EYE, by Peter Shaffer, are clever, stylish, airy and bittersweet. These two one-acters explore the moods of love, antic and frantic. The players-Barry Foster, Geraldine McEwan, Brian Bedford and Moray Watson -are attuned like a fine string quartet...
...Private Ear and The Public Eye, by Peter Shaffer. Light entertainment is a promise the theater is quick to make and slow to honor. In these two one-acters, the promise is entrancingly kept. They defy the laws of mental gravity and lift a playgoer out of his world only to see it better, just as a dream is sometimes truer than a thought...
...silly little stenographer. Bob's dreamy, "sensitive" chatter only confuses Doreen, and naturally she prefers Ted. Finally, she leaves. That's all: boy meets girl, boy loses girl. Everything except boy gets girl, which, presumably is the message of the play: Naive romantics never get what they pine for. Shaffer's plot is senile and his satire is unsubtle and too familiar for an American audience...