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...reflection and massive forms suggest in their postures strength and determination. One disturbing detail is the distortion of the faces. Perhaps also the picture is to slick, too much like a "Come to Switzerland" poster. Much of Shimizu's work like this picture owes a debt to Shahn...

Author: By Lowell J. Rubin, | Title: Undergraduate Art | 5/13/1957 | See Source »

...learning of a university is of the profoundest value," Shahn added, but felt that one should work at some job before entrance. "No knowledge is not pertinent to the work of an artist," he insisted...

Author: NO WRITER ATTRIBUTED | Title: Shahn Discusses Best Education For Young Artist in Final Talk | 4/24/1957 | See Source »

...Shahn said the third step, integration, will bring this knowledge into a unified whole with the personality. This "uniting of the thousand facets of experience into form," is the artistic process, he pointed...

Author: NO WRITER ATTRIBUTED | Title: Shahn Discusses Best Education For Young Artist in Final Talk | 4/24/1957 | See Source »

This form of education will answer at least two of the three practical questions asked by young artists today, Shahn claimed. These questions are "What shall I paint?", "How shall I paint?", and "What security can I have as a painter...

Author: NO WRITER ATTRIBUTED | Title: Shahn Discusses Best Education For Young Artist in Final Talk | 4/24/1957 | See Source »

...volumes and opinions obtained in the process of this wide education will teach what he should paint, and to a certain extent it will teach him how to paint, Shahn asserted. One can teach certain technical points but "teaching a style would be like teaching personality," he said...

Author: NO WRITER ATTRIBUTED | Title: Shahn Discusses Best Education For Young Artist in Final Talk | 4/24/1957 | See Source »

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