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Word: shake (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...they must be shared by three teams; Yvette has to retrieve her uniform from a volleyball player to pose for photographs. Says Holden: "If she was a young man and had this kind of potential and ability, there would be no question. But she doesn't get a fair shake." Fair or not, it is Yvette Lewis' best chance: "I'm going to stay with basketball and go as far as I can go with...

Author: /time Magazine | Title: Comes the Revolution | 6/26/1978 | See Source »

...beach. But it's worth the extra work because the each there is so much better than Revere (on the Blue Line, just before Wonderland). Paragon Park is actually an okay amusement park, but stay away from the antique roller coaster; the wooden frame that supports it tends to shake a lot when the roller coaster goes over it, and the boards underneath tend to bang around a lot, and make all sorts of other noises that aren't in the contract. Of course, it's your life...

Author: NO WRITER ATTRIBUTED | Title: A Survival Guide to the Square | 6/26/1978 | See Source »

...insurance companies to cancel or refuse to renew policies unless a person runs up a long record of claims for mishaps that are his own fault. That would help to still the protests and make claimants feel that, whatever their bad luck, they were at least getting a fair shake...

Author: /time Magazine | Title: Business: Infuriating Insurance Claims | 6/19/1978 | See Source »

...reconcile with the one person he has made miserable, his son, Jud (Robert Picardo), whom he abandoned in the divorce settlement. He amuses Jud with jokes and funny costumes, finds him a girl (Catherine Hicks), and smothers him with affection. But Jud, a 20-year-old fogy, refuses to shake the glad hand. "Mom said you once told Sonja Henie she was a great actress," he remarks in one of the play's best lines...

Author: /time Magazine | Title: Theatre: Death of a Flack | 6/12/1978 | See Source »

...that time I was taking a course in English composition with Charles Townsend Copeland, better known as Copey, whose genial, sometimes crusty, habit it was to bring outsiders into his classroom, usually without notice to his students. The idea was to shake us up; an element of surprise was part of the process. Copey styled himself Harvard's "reader-in-ordinary." When he gave his readings, in a dry Maine accent and a gravelly baritone, he required absolute silence from an intimidated audience. He was about as 18th-century as a man could be; his academic life largely centered...

Author: By John Herling, | Title: Memories of a Half-Century of Change | 6/6/1978 | See Source »

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