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...Doyle achieve is far more compelling; they manage to evoke a mood, to create an atmosphere. As I wandered the basement—the stomping ground of the witches—I was genuinely afraid and anxious that one of these weird sisters might appear. Suddenly, the threat of Shakespeare??s witches and their sinister magic became real...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: ‘Sleep’ Leaves Haunting Impression | 10/19/2009 | See Source »

While the playwright casts a shadow over the entire production, not a word of Shakespeare??s text is ever spoken. Instead, the performers communicate stunningly through movement. A choreographed fight-dance between Macbeth (Geir Hytten) and Lady Macbeth (Sarah Dowling) was as evocative and passionate a scene as I’ve witnessed between an on-stage couple. While some scenarios leave more to be desired—the slow-motion banquet scene grows dull after a few minutes, and fails to express the awesome terror of Banquo’s ghost—the beauty is that...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: ‘Sleep’ Leaves Haunting Impression | 10/19/2009 | See Source »

...this production of “The Taming of the Shrew,” the Project will endeavor to prove yet again the sustained cultural and human relevance of Shakespeare??s works...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: A Modern Take on Shakespeare’s ‘Shrew’ Goes on at the Square | 10/16/2009 | See Source »

Many contemporary plays can be described, in the words of Maria of “Twelfth Night,” as “improbable fiction.” But despite Shakespeare??s often fantastical flourishes, his works have always captured certain human truths. Thanks to this, “The Seven Deadly Sins of Shakespeare,” which ran this weekend at the Adams House Pool Theatre, manages to strike the chords of human folly’s universality using excerpts from the Bard’s plays, allowing the production to resonate, despite its occasional...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: Hyperion’s ‘Sins’ Dead On in Entertainment Value | 10/16/2009 | See Source »

While the acts, which collage extracts of Shakespeare??s plays to fit an overarching theme, connect well aesthetically, the content overall is fragmented. And though the idea of compiling scenes to describe the time-old notion of the “seven sins” is inspired, the execution doesn’t fulfill the concept’s potential. The show is lively and entertaining, but only one of its plot lines is fully resolved. The continuation of the “pride” storyline—which appears in three different scenes?...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: Hyperion’s ‘Sins’ Dead On in Entertainment Value | 10/16/2009 | See Source »

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