Word: shakespeareanisms
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...Land (1975) and in the films The Heiress (1950) and Long Day's Journey into Night (1962), Richardson found his ideal role: as the haughty burgher whose tragic flaw lies in realizing too late that he is not quite a tragic figure. Though he never played Lear, the Shakespearean role that might have been written for him, Richardson found that doddering majesty as the politician in Storey's Early Days (1980). Wily but too innocent, flirting with senility, raging at the dying sun of empire, Sir Ralph painted an indelible image of a civilization's decline...
...specter of the bruised and bloody body of Benigno Aquino would not go away. At every turn last week, Philippine President Ferdinand Marcos appeared to be moving through a tragedy of Shakespearean dimensions welling up from the assassination of his chief political rival. President Reagan canceled his plans to visit the Philippines, and the estranged Philippine business community was only reluctantly taking steps to help Marcos out of a gathering financial crisis, which last week led to a 21.4% devaluation of the peso. From a former U.S. Ambassador to both Iran and the Philippines, meanwhile, came a blunt warning that...
...symptoms of milestone fever it did not demonstrate were numerous and encouraging. It did not include a sampling of opinion--the Lord Mayor's, her colleagaes', the public's or otherwise dwell on the difference it would make to have a woman in this traditional, little-heard-of and Shakespearean-sounding position. To do that would imply that maleness had been intrinsic somehow to the job in times of yore. It did not describe Donaldson's height, build or what she was wearing on the day of the appointment--as most publications, and the Times in particular still tend...
That democracy remains in office; the custom of the sharpened axiom continues. Elizabeth Bowen's "Memory is the editor of one's sense of life" is a Shakespearean perception; Peter De Vries' "Gluttony is an emotional escape, a sign that something is eating us" belongs with the best of the Edwardians. Hannah Arendt's observation compresses the century down to a sentence: "Power and violence are opposites; where one rules absolutely, the other is absent...
...fall flat and occasionally a skit is lost before it ever gets off the ground, but that's the beauty--and the risk--of a live performance, And the infrequent bumbles are more than made up for by the group's strongest pieces. One standout is the Melrod-penned Shakespearean soap opera called "Most Grievous Hospital," which is rendered in Elizabethan rhyming couplets from the introduction by a character named Gossip ("Enjoy the play, friends, Gossip now be gone. I'll change my costume quickly and return anon.") It continues through a brief and purposefully confusing ploy of divorces...