Word: shakespeareanly
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Assisting in the production, to be staged at 1:30 o'clock on August 23 without scenery or costumes, will be some members of the English 24a (Shakespearean Tragedy) class and other University students who will read "Hamlet" in radio studio style...
Radcliffe enrollment figures this summer show a trend toward English reading courses, with a secondary preference for Social Relations. Statistics Wednesday placed Comparative Literature 65, Proust, Joyce, and Mann, in the lead with 17 'Cliffedwellers in tow, while English 24a, Shakespearean tragedy, was a close second with...
...there the Old Vic proved disappointing. For a great repertory company, it had more than its quota of indifferent actors; there was no great distinction in their rendering of speech or verse. (The musicomedy-sized Century Theater made for hearing trouble.) But they had the main thing-a real Shakespearean robustiousness. In Part I they contrived a fine balance between the historical scenes and the humorous ones, a telling contrast between that arch-romantic and exemplar of heraldic honor, Hotspur, and that arch-realist and epitome of worldly wisdom, Falstaff. And they had for this two brilliant actors...
...begins with shots of 17th-Century London and Shakespeare's Globe Theater, where Henry V is being played. The florid acting of Olivier and his prelates (see cut) and the Elizabethan audience's vociferous reactions are worth volumes of Shakespearean footnotes. For the invasion, the camera, beautifully assisted by the Chorus (Leslie Banks), dissolves in space through a marine backdrop to discover a massive set such as Shakespeare never dreamed of - and dissolves backward in time to the year 1415. Delicately as a photo graphic print in a chemical bath, there emerges the basic style of Shakespearean cinema...
...scenes comparable to those in Eisenstein's Ten Days That Shook the World. Inside, however, the audience was sharply divided. Parisian sophisticates, perhaps not yet grown up to Eisenstein's post-sophisticated refurbishing of primordial cinema devices, booed and stomped and hissed at the all but Shakespearean intensity of the great static closeups, the poetic registrations of emotion, the grandiose, dancelike gestures of the players, broad as bad opera-or Michelangelo. When Ivan's enemies mugged fear, Frenchmen cheerfully shouted: "Cowards!" When the sound track jammed as Ivan received a chess set from Queen Elizabeth, someone...