Word: shakespeareanly
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...shared similar concerns and form on the surface. Nor does he agree with Brecht's theory of the theater, though he does use a few Brechtian techniques. He feels much closer to the theatrical ideas of the black theater in New York, and to the political interpretations of Shakespearean plays that Harvard directors like Mayer and Babe have experimented with...
Frankly Wicked. In the past, some directors have coped with Shakespearean plays by cutting the text. Sir Laurence Olivier's unforgettable 1946 film of Henry V included only half the original; Franco Zeffirelli's recent Romeo and Juliet cut more than half. To Director Hall, 38; the best solution was to leave Shakespeare's words alone. Since A Midsummer Night's Dream is one of the bard's shortest plays, he cut only ten lines...
...shots build an air of intimacy between actor and audience that is especially suitable for the TV screen (though the film was also released in London last week as a feature movie). "For the first time," says Paul Rogers, who plays Bottom in a blustering, John Bullish vein, "a Shakespearean movie has been made that doesn't sacrifice the poet." The flowing iambics carry the play forward on the swells and lulls in some of Shakespeare's most exquisite lyrics...
...Dame Commander of the Order of the British Empire and is famed as an actress for her performance of Greek and Shakespearean drama. Now 70 and living in Southern California, Dame Judith Anderson has decided to take a fling at a slightly different role. In A Man Called Horse, she plays a Sioux squaw-even speaks her lines in the Indian language. The film stars Richard Harris as a British nobleman who is captured by the Sioux and given to Dame Judith as a beast of burden. "I shouldn't call it a Western," she explained. "Dramatically...
...language transpositions from the Greek lack eloquence, spareness or precision, and the contemporary colloquialisms iar the ear. Lines like "You mean you intend to kill your mother?" produce wildly inappropriate laughter from an audience saturated with Freud. The prevailing style of the evening is that of neo-Shakespearean swashbuckling, and the barely adequate cast seems to relish all opportunities for bombast and comic clowning. The chorus resembles the witches from Macbeth multiplied. The murders might as well have been performed by Richard III. Elizabethan Greeks are a novelty all right, but they reduce the play to historical pageantry, horseplay...