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Word: shakespeareans (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. It is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. Williamson cuts through the music of the Shakespearean line to the marrow of its meaning. He spares no contempt for the perfidious king who killed his father, but he saves his rage for the unfeeling gods who, in all true tragedy, make and mangle human destiny. Williamson is, in all, a great, doomed, spine-shivering Hamlet, and anyone who fails...

Author: /time Magazine | Title: Television, Cinema: may 23, 1969 | 5/23/1969 | See Source »

...adder; his furrowed brow is a topography of inconsolable anguish. His Hamlet is a seismogram of a soul in shock. Here is a Hamlet of spleen and sorrow, of fire and ice, of bantering sensuality, withering sarcasm and soaring intelligence. He cuts through the music of the Shakespearean line to the marrow of its meaning. He spares the perfidious king who killed his father no contempt, but he saves his rage for the unfeeling gods who, in all true tragedy, make and mangle human destiny. Take him, all in all, for a great, mad, doomed, spine-shivering Hamlet, and anyone...

Author: /time Magazine | Title: Time Listings: May 16, 1969 | 5/16/1969 | See Source »

...fully capable of interference with the ongoing business of putting on plays. Some months ago, I stood on the stage of Washington's scrubbed and refurbished Ford's theatre, and indulged myself in a rather banal reflection on the impossibility of playing comedy in the house where a hack Shakespearean once broke...

Author: By Peter Jaszi, AT THE LOEB MAY 2-4, 7-10 | Title: Much Ado About Nothing | 5/2/1969 | See Source »

...Shakespearean comedy, even a play as nice as this pageant of misrepresentation and manipulation, needs to survive on a modern stage. Mr. McBain has apparently understood this requirement, but his intermittant attempts to provide are the sorts of cures that kill. Where the play cries out for a locale--a definite fix in time and space--he has staged it with settings as homey and identifiable as the mountains of the moon, and costumes suggestive of a Bulgarian re-make of Flash Gordon. The addition of a sort of light show-cyclorama, beautiful as it may be in the abstract...

Author: By Peter Jaszi, AT THE LOEB MAY 2-4, 7-10 | Title: Much Ado About Nothing | 5/2/1969 | See Source »

...shared similar concerns and form on the surface. Nor does he agree with Brecht's theory of the theater, though he does use a few Brechtian techniques. He feels much closer to the theatrical ideas of the black theater in New York, and to the political interpretations of Shakespearean plays that Harvard directors like Mayer and Babe have experimented with...

Author: By Aileen Jacobson, | Title: On Art and Politics | 4/30/1969 | See Source »

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