Search Details

Word: shakespeareans (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...premise behind The Compleat Works of Wllm Shakspr (abridged) is simple and stunning. A reduced cast, with reduced props, reduces the entire body of Shakespeare's work into a svelte two-hour fling whose high purpose is to reintroduce to Shakespearean Production the lost quality of side-splitting humor...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Smashing in Spandex: Playing it Again at the Loeb Experimental | 10/30/1998 | See Source »

...play are lifted directly from the Bard himself, and it is in these lines of straight Shakespeare that the cast's comic engineering is most visible. Shakespeare is reinvented Amelia Bedelia-style with a suggestiveness that invites one to reconsider the comic potential inherent in even the most serious Shakespearean dialogues. Here all those idiosyncracies of Elizabethan English that we profess to understand in section are given a thorough airing. What does the guard mean with his "Stand and unfold yourself?" When did thumb-biting stop being synonymous with giving someone the birdie? Just as Hamlet uses the Death...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Smashing in Spandex: Playing it Again at the Loeb Experimental | 10/30/1998 | See Source »

...more verbal and prop-oriented. Howells plays a great straight man whose misguided traditionalism is artfully thwarted by the other characters' antics. Though all of the parts they play are similarly ridiculous, the ability of the three actors to cover in one form or another the pantheon of Shakespearean roles without becoming excessively confused is no small feat. Amblad goes from flight attendant, to especially silly Romeo, to a Martha Stewart-esque "Titus Androgynous" running a cooking show with a revenge theme, where the main ingredient is the rapist. His approach to the reductionist difficulties of "head...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Smashing in Spandex: Playing it Again at the Loeb Experimental | 10/30/1998 | See Source »

...parody to lift any student's heart, delightful both in its irreverence to the canon and to the disregard it shows for the seriousness with which that canon is treated around these parts. In their overhaul of the Bard, the RSC may have come closer to the original Shakespearean experience than we usually get. On the outside chance that The Bard is turning in his grave, though, no one seems to feel too badly since he never seemed the type to lie flat and complacent in the first place. With any luck, he's rolling with laughter...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Smashing in Spandex: Playing it Again at the Loeb Experimental | 10/30/1998 | See Source »

Teaches: English 124c: "Shakespearean Conjuring...

Author: NO WRITER ATTRIBUTED | Title: ON THE PHILOSOPHY OF SHOPPING IN CAMBRIDGE | 10/8/1998 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | Next