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Word: shakespearianism (lookup in dictionary) (lookup stats)
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Robert Lanchester attains no minor milestone. In Little Me Sid Caesar created a six distinct comic roles. Lanchester goes one step further--he creates six indistinct ones. On several occasions, though, he is very funny to watch as he combines verbal and visual dexterity. He makes the Shakespearian buffoon, Tedious, into a physically contorted Elizabethan-pretzel...

Author: By Alan JAY Mason, | Title: 'No Apologies' Final Ex Production | 8/21/1963 | See Source »

...Enck's special field is Elizabethan literature: his Ph.D. thesis was on Ben Jonson, and his course at Harvard will be English S-123, a study of several Shakespearian plays. Dr. Enck also reads widely in modern poetry (Wallace Stevens is his favorite...

Author: NO WRITER ATTRIBUTED | Title: Visiting English Professor Values Literary Change | 7/5/1962 | See Source »

...into question. If an artist really believed in the supremacy of his condition (whose essence is mortality) why would he for a moment go through all the toil of creating an object whose whole intent is to last forever, to be immortal? We find these representative lines in a Shakespearian sonnet: "But thine eternal summer shall not fade/ Nor lose possession of that fair thou ow'st." Shakespeare, were he deferring to nature, would rejoice in the mortality of his beloved. In fact he does something very different: he calls her "eternal...

Author: By Richard A. Rand, | Title: Creative Writing at Harvard | 5/14/1962 | See Source »

...representatives indifferent to your wrongs." But John L., born in Lucas, Iowa, Feb. 12, 1880, a Welsh coal miner's son who quit school after the seventh grade to dig coal in underground pits, a union organizer with a shock of red hair and red eyebrows and a Shakespearian style, fought his way to the top of the U.M.W. to change all that...

Author: /time Magazine | Title: LABOR: Fighter's Retreat | 12/28/1959 | See Source »

...here is Greek tragedy as it should be done, like neither a Shakespearian character study and display of verbal pyrotechnics, nor a contemporary inquest into the septic souls of one's nerve-wracked next-door neighbors. To meet with Oedipus Rex on its own grounds, you approach it like neither Hamlet nor Death of a Salesman, but rather as if it were a Solemn High Mass. It reminds us that the "play" was originally a religious ritual, after all, even if this is a spirit our own age has successfully recaptured on the stage only in Eliot's Murder...

Author: By John E. Mcnees, | Title: Oedipus Rex | 11/4/1958 | See Source »

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