Word: shallow
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...more, H. Rodney Clark's Bluntschli is such a card, and Anne K. Ames's Raina such a flighty creature, that the Shavian prospect of sincere and kindly intercourse never dares rear its gentle graying cranium on stage during the next 90 minutes. What does appear is a shallow but lively confrontation between the bombastic Bulgarians and an unflappable Bluntschli, the production packaged appropriately in Scott Joplin ragtime and stage directions that divest the original of any subtlety of humor...
Which is not to say that this is a bad production. The actors seem to relate to each other superbly, and the performance moves quickly and comically with no lulls. That Arms and the Man withstands such a shallow rendering is quite a testimony to Shaw's wit. For even if the production does not broach the significant themes of war and romance that exist in the play, it does execute a nice variation on the old country mouse/city mouse story. Bluntschli, you see, is the unscrupulous and urbane businessman (in the course of the play, he inherits the proprietorship...
Apparently she was recruited to lend a little weight to a mean, shallow and indifferent enterprise. The Prisoner of Second Avenue is a listless nervous-breakdown farce, adapted by Neil Simon from his play about the traumas and indignities of living in Manhattan. Jack Lemmon, unwired and wrung out, appears as an lid executive who loses his job and proceeds to crack under all the usual New York tensions, from unruly cab drivers to walls that crack like eggshells, from vicious neighbors to violence in Central Park. Bancroft plays his wife, loving and impatient and reasonably brave, who sees...
...because she could not pay $42,000 to send notices of the lawsuit to 700,000 other Standard credit-card holders is not alone. Corporations are now consistently challenging consumer class actions to recover millions of dollars of illegal overcharges on the basis of the victim's shallow pocketbooks rather than on the merits of the controversies...
ATLANTIC ALSO had to include Larry King, the most prolific Texas-born writer around today. His style ranges from sneering pretension to shallow folksiness. But he is an authentic Texas writer, and Eastern magazine-publishers who have never seen one seem to think that is enough. The Atlantic editors are doubly gullible, featuring two articles by King. Discussing the citizens of Dallas, King fondly recalls his reaction to the news of President Kennedy's assassination: "those goddamned Nazi bastards!" He bows piously to the standard altars of guilt--right-wing politics, oil wealth, "exploitation" of minorities. If nothing else...