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Along the Texas coast in East Galveston Bay, Hugh Brothers, 52, a Houston pharmacist, was casting for flounder in shallow water. "This swell came up from behind in the water. It didn't knock me down, but it was extraordinary. I looked around and saw there weren't any boats nearby, and I said, 'Where'd that come from?' Then everything was perfectly still." On the 48th floor of the 64-story Transco Tower in Houston, Martha Carlin saw "water sloshing around in the coffee urns. Office doors were closing, and the building was in motion. I looked...

Author: /time Magazine | Title: A Noise Like Thunder | 9/30/1985 | See Source »

...this type of writing--bold, inventive, concise, brash--that gives us a renewed optimism about the shallow, greedy generation that we college students comprise, and that makes us all just a teensy bit more hopeful about the future of life on this planet...

Author: NO WRITER ATTRIBUTED | Title: From the Editors: | 9/26/1985 | See Source »

...bizarre poems and short stories in "Horse's Neck" are at best a sort of spiritual autobiography; at worst, shallow and meaningless...

Author: By Jennifer A. Kingson, | Title: Townshend's Horse Fetish | 9/26/1985 | See Source »

...bags to lift the Rainbow Warrior from the bottom of Auckland harbor in New Zealand after it had been sunk by a terrorist bomb. According to accounts in the British press, Pierce has suggested a similar approach for the Titanic. But raising the 418-ton Greenpeace ship from a shallow harbor is one thing, rescuing the 46,328-ton Titanic from 2 1/2 miles of ocean quite another. Says Keith Jessop, the Yorkshire diver who in 1981 salvaged $80 million in gold bullion from the World War II battleship H.M.S. Edinburgh: "You can't even speak of them...

Author: /time Magazine | Title: Science: After 73 Years, A Titanic FIND | 9/16/1985 | See Source »

...junk under the eye of strict formal abstraction. One would expect the number of small pieces in this show to be, in the end, fatiguing; but it is not, thanks to Schwitters' dedication to reinventing a surface with each collage. His favorite matrix was the grid of cubism, a shallow, divided skin on which the scraps of paper and little objects surface and vanish, overlapping like leaves on a forest floor. He called them all "Merz" constructions: the name was a fragment of a printed phrase advertising the Kommerz-und Privat-Bank, but it became generic. In these works, cubist...

Author: /time Magazine | Title: Art: The Urban Poet | 9/9/1985 | See Source »

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