Word: shallower
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Dates: during 1960-1969
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Oscar Wilde, in adversity, might call shallowness "the supreme vice"; but shallow-ness-a wonderfully rewarding shallow-ness-is what went deepest in him. And much more than when sincerely contrite, he is tragic in the superb gallantry of such humor as when, standing handcuffed in the pouring rain, he murmured: "If this is how Her Majesty treats her prisoners, she doesn't deserve to have any." By omitting such touches and emphasizing Wilde's plangent side, and by himself-if often eloquent-being often florid, Mac Liammoir piles Pelion upon Oscar, and turns what he dubs...
...second morning the team was up to the traverse called the Hinterstois-ser. after a German climber who died there in 1936. The ice was too shallow for their ice pitoris, too deep for their rock pitons. Anchored only by their hand picks, the four were inching upwards when Kinshofer suddenly fell. Sorhehow the other three managed to absorb his shock when he hit the end of the rope. Gingerly the team passed "death bivouac," where two members of the first north wall team froze to death in 1935. The fourth night out, watching his tiny, portable barometer fall ominously...
...amusing. In form, the film is a cinemanthology of seven short subjects, each written by a famous French novelist or scenarist, each directed by a different man, each played by different actors, and intended altogether to dramatize the seven ages of woman. In effect, it is the usual shallow but intelligent French discussion, toujours gai and sometimes icily ironic, of what makes the world go round...
...CRIMSON's editorial seems to us timely but shallow. R. Carey Mcintosh, James H. Case, III, Assistant Deans of Freshmen...
Morris used Boylston's shallow stage to perfection. He kept the actors moving in a fluid and carefully planned ballet. Every time a step was taken, an arm raised, an eyebrow lifted, one caught a glimpse of the puppeteer behind the scenes. The balance between the medieval and the modern was made most strongly by Bill Wilder's ingenious score, which shifted gracefully from twelfth century ars antiqua to the twentieth century twelve tone scale. Shimizu's set was a black curtain whose space was miraculously filled with a few flowing white splotches; his props were colored cardboard; and even...