Word: shame
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Dates: during 1960-1969
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...structure of 20th century religious thought, the works of Ingmar Bergman perch like gargoyles. Their gnostic faith belongs to no known dogma; their acrid doubt is too large to sit in the cool shade of existentialism. The Shame, latest of his grotesqueries, once again prays to a dead God, once again mixes actuality and surrealism, calamity and humor, a fertile mind and an arid soul...
...that person wakes up and is ashamed?" That "person" may seem, superficially, to be God. But Bergman assigns the responsibility to a far more accessible source. What is the future, he asks, but a dream of the present? If that future is a nightmare of disaster and war, the shame and the blame cannot be laid at the gates of heaven, but at the feet...
Molten Eroticism. For the last several years, it has been unfair to judge Bergman on an individual film. To state that The Shame is not quite up to The Seventh Seal is like saying that Blake's The Mental Traveller is not equivalent to Songs of Experience. What matters is the body of his work-comprising 29 films-which now amounts to a great literature of heroic despair...
...after the filming of Persona, the rumors began. She and Bergman gave out the news that they enjoyed an "extraordinarily fine relationship." Late this year, the Stangs divorced, and Ullman-and her daughter Linn-moved into the $100,000 house Bergman recently built on Sheep Island, scene of The Shame. On occasion, they can also be spied upon in their town house in Stockholm's expensive residential suburb, Deer Garden. Guarding his privacy with zeal, Bergman has only once publicly ventured an opinion about the woman who has played a major role in his last three films...
...Troell's two-part The Immigrants and The Emigrants, to be filmed in Sweden, Canada and the U.S. But, though there have been other offers from both European and American film makers, Ullman shows no inclination to be far from her companion. During the making of The Shame, he directed her to move closer to a flaming house. "Burning things were flying over my head," she recalls. "I tried to get a little out of the way from the house. Bergman shouted, 'Don't be so scared, silly woman!' and I hated him for days...