Word: shampoos
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...Carrie Fisher, 18, is the madcap of the '70s, a dourly funny sophisticate. Debbie's big hit movie was the innocuous Tammy and the Bachelor, in which she played a professional teen-age virgin. Carrie has a hit flick too: Warren Beatty's Beverly Hills satire Shampoo. She also played a teen-ager-a nymphet who traps Beatty into...
...lived there had an ice chest that was a cornucopia of beer. Her proudest possessions were the kerosene lamp on the table in the front room and the stack of fourteen bars of soap beside it. Raised as I was on Right Guard, Dial, and Johnson's Baby Shampoo, it was hard to get excited about soap. But as a material good, it has its advantages: it's solid to the touch, fits right in your hand, and smells nice. Soap was her step into twentieth century consumerism. It wasn't a very big step, but then nobody in Africa...
...going to enjoy The Towering Inferno, but the view that the movie itself is a monument to bullshit and concupiscence is unfounded. It's very easy to hype a popular film by calling it a cinematic masterpiece, as Pauline Kael has done so unfortunately with movies like Shampoo and Last Tango in Paris. The disaster film is an urban adventure, like a police or hospital melodrama, but the very magniture of the pseudo-events it chronicles--possible only on screen--give it a dignity beyond its intrinsic merit. When combined with an ingratiating morality, a wealth of invention...
...sets his clothing warehouse on fire to receive insurance benefits, characters as scheming as the young entrepreneur in The Apprenticeship of Duddy Kravitz, who ignores the human suffering produced by his financial dealing. But whereas in those portrayals the characters become aware of the consequences of their actions, in Shampoo we encounter people like Lenny, who is concerned only with giving Jackie enough presents to guarantee her love, or Felicia, who drags George into a woman's restroom on a lustful impulse--people who will drop everything at the passing of a pair of pretty legs or the flash...
...simply the flashy cars, the bright lights, the shiny mirrors of George's Los Angeles. It is the Orange County of economic privilege and social elitism that make possible the ascendancy of men like Richard Nixon to the Presidency. That life-style, that environment certainly merit cinematic investigation, but Shampoo hardly does the job. A message is hinted at, but its presentation is so smooth, it is done up in such a slick package, that the attempt to grasp it is about as satisfying as having coitus interrupts with someone covered with suntan lotion...