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...murderous skills and cranky in dependence make the clean-shirt-once-a-week crowd nervous. Before long, sure enough, they frame him for the cowardly killing of a boy of 15. The situation is al most self-consciously classic, and there is a temptation to yell "Come back, Shane!" at the screen. But it is a pleasure to watch Steve McQueen's tough, weathered mug as he speaks the lines given to Tom Horn, an actual turn-of-the-century frontiers man. If there is a bit too much of this sort of satisfaction, with a great many shots...

Author: /time Magazine | Title: Cinema: Frontier's End | 6/30/1980 | See Source »

...Little Shamus, father and son (Brian Dennehy and Doug McKeon) become the first TV detectives to police Atlantic City's new casinos. For audiences who take crime lightly, ABC has a sitcom called Detective School. NBC is unveiling a James Bond clone (Robert Conrad) in A Man Called Shane...

Author: /time Magazine | Title: Television: The 1979-80 Season: 1 | 9/10/1979 | See Source »

...Houdini, Tenor Jerold Norman was re-creating his role in the Amsterdam production, and the experience showed in his secure, if rather monochromatic, performance. Other major roles were ably filled by Rita Shane as Houdini's mother, John Brandstetter as his manager and Viviane Thomas as Bess. Conductor Richard Dufallo, who heads Aspen's annual Conference on Contemporary Music (at which Schat is one of this year's composers-in-residence), had the work firmly in hand. His youthful chorus and orchestra managed most of the score's difficulties, though without making them sound any less...

Author: /time Magazine | Title: Music: Houdini: The Riddle Remains | 8/13/1979 | See Source »

...common with Roddy McDowall, who earlier in John Ford's How Green Was My Valley had been one of the first young actors to combine sensitivity and uncertainty without losing the basic strength of childhood. They both anticipated the dreaminess and longing of Brandon De Wilde in Shane as the kid for whom the gunfighter on a horse became a white knight...

Author: /time Magazine | Title: Show Business: Brats and Perfect People | 8/13/1979 | See Source »

...haunted house is properly spooky, and the opera's shifts in time and mood are made decisive by Gilbert Hemsley's lighting. Conductor Julius Rudel kept things going so smoothly one almost forgot that this was a world premiere, the first time for everyone. For Rita Shane there can be only praise. Her acting was fiery, her singing confident, if uneven. It is hard to think of anyone, including Sills, who could have truly commanded the part. Miss Havisham's Fire burns a long time, but finally ends in ashes...

Author: /time Magazine | Title: Music: The Immolation of an Opera | 4/2/1979 | See Source »

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