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...Director George (Shane) Stevens: "[Wide-screen] is a process ideally suited for high-school commencement photographs...

Author: /time Magazine | Title: Cinema: The New Industry | 5/4/1953 | See Source »

...Shane. A high-styled, Technicolored horse opera, strikingly directed by George Stevens; with Alan Ladd, Van Heflin. Jean Arthur (TIME, April...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, may 4, 1953 | 5/4/1953 | See Source »

...Shane. A high-styled Technicolored horse opera, strikingly directed by George Stevens; with Alan Ladd, Van Heflin, Jean Arthur (TiME, April...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 27, 1953 | 4/27/1953 | See Source »

...Shane. A high-styled, Technicolored horse opera, strikingly directed by George Stevens; with Alan Ladd, Van Heflin, Jean Arthur (TIME, April...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 20, 1953 | 4/20/1953 | See Source »

...just brought in such a sure-fire moneymaker as Shane (cost of the picture: $3,100,000), Stevens last week found himself, by a curious Hollywood paradox, without a job. Shane was his last picture for Paramount, which like most companies, likes to have more say in a project than Stevens is willing to permit. I don't think [big companies] see a motion picture for what it's worth. They see it only in terms of product . . . They don't consider what an attraction can be or should be [but] keep looking for assurances of having...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 13, 1953 | 4/13/1953 | See Source »

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