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Faced with following Khan, Geoff Muldaur of the Jug Band quipped, "If Ravi Shankar can't Ali Akbar Khan" and completely reset the mood of the evening...

Author: NO WRITER ATTRIBUTED | Title: Folk Festival Fails to Excite | 7/29/1966 | See Source »

...class at U.C.L.A., a figure previously reached there only by Playwright William Inge. U.C.L.A.'s theater-arts department has also snared John Houseman and Josef von Sternberg, expects to land Ingmar Bergman next fall. Its art department has had Jacques Lipchitz; its music department, Indian Sitarist Ravi Shankar, Composers Roy Harris and John Vincent - and even a whole quartet in residence, the Feri Roth chamber group...

Author: /time Magazine | Title: Colleges: The Artist on the Campus | 4/2/1965 | See Source »

...Poet-Critic John Ciardi; among its vignettes: a sound track of the artist reading his own domestic verse ("Men marry what they need, I marry you"), while the camera watches his wife pouring herself coffee in their Metuchen, N.J., kitchen. Among future subjects: Painter Leonard Baskin, Indian Composer Ravi Shankar, Author P. G. Wodehouse, Film Maker Jean Renoir, and Metropolitan Opera Impresario Rudolf Bing...

Author: /time Magazine | Title: Show Business: Candles of Culture | 3/19/1965 | See Source »

...Oriental rug onstage. The audience at the University of Pennsylvania's Irvine Auditorium last week was equally exotic-a curious mingling of Indians in turbans or saris, bearded jazz musicians, leather-jacketed beatniks and college students. Racing his spidery fingers across the steel strings of his sitar, Ravi Shankar invoked a whining chorus of quavering, sensuous melodies in intricate interplay with the shifting, galloping cross-rhythms of the tablet (drums). Soaring above the metallic drone of an unfretted lute called a tamboura, Shankar finished in a furious display of virtuosity that brought a cheering ovation from the audience...

Author: /time Magazine | Title: Instrumentalists: And Now the Sitar | 11/6/1964 | See Source »

...Shankar is India's most famed traditional musician. In the past half-dozen years, through a series of recordings and globe-girdling tours, Shankar has proved to jazz fans that his improvisational flights have an exciting kinship to modern jazz. Joy, Eroticism. Part of the appeal is the extraordinary range of sounds that can be coaxed out of the awkward- looking sitar, from deep guttural sighs to piercing cries. Fashioned 700 years ago, the sitar has six or seven playing strings, 19 "sympathetic" resonating strings, so sensitive that they must be retuned while being played, and two bulbous gourds...

Author: /time Magazine | Title: Instrumentalists: And Now the Sitar | 11/6/1964 | See Source »

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