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...story itself is not much more than a complicated “The House that Jack Built,” its innovative conversion of language into visual art strongly represents Schwitter’s definition of Merz, which “wants freedom from all fetters in order to shape things artistically.” All things considered, however, it seems there was a reason why Kurt Schwitter was remembered for his art, while his stories were, as the dust jacket says, “little known in any language” before now.—Staff writer April...

Author: By April B. Wang, CRIMSON STAFF WRITER | Title: Fairy Tales Horrify, Numb | 4/10/2009 | See Source »

...climactic collaboration between first-rate painters, musicians, and composers. The willingness of men from Picasso, Matisse, and Rouault to Ravel, Debussy and Stravinsky to collaborate with Diaghilev on his creations signaled the inauguration of a new interdisciplinary era in arts and culture, and dance in particular, that would shape all future exploits. Early Diaghilevan productions have not only remained in the repertory of many major ballet companies but have also taken their rightful places amidst the historical cannon. “Firebird” and “The Rite of Spring” (“Le Sacre...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

...Neon Bible”; these constitute a self-deprecating acknowledgement of the erstwhile indie darling’s mainstream windfall. But while it hastens to assure fans that the band hasn’t really changed, the movie’s many ambiguities frustrate that impulse. Morisset, who helped shape the viral marketing blitz for “Neon Bible,” struggles stylistically. “Miroir Noir” often adopts a vérité approach. The final scene’s a nod to online indie concert series Black Cab Sessions, and many scenes capture...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Miroir Noir | 4/10/2009 | See Source »

What diet do you follow to stay in shape? Samuel B. Mankins COLUMBUS, OHIO...

Author: /time Magazine | Title: 10 Questions for Dara Torres | 4/9/2009 | See Source »

...largest matzo producer - at 1.25 million rectangular, sheetlike matzos a day - but he always adhered to the original kosher rules. As Manischewitz's popularity grew, so did the general perception of matzo. Gone were the lumps and bumps of homemade mazo; machine-made mazo was uniform in size, shape, taste and texture. Manischewitz endured some controversy for his use of machines, but after he spent 13 years studying the Talmud in Jerusalem, even the most hardened traditionalists eventually considered him an acceptable authority on matzo. The Manischewitz family sold the company in 1990 for $42.5 million; the brand is still...

Author: /time Magazine | Title: So You Think You Know Matzo? | 4/9/2009 | See Source »

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