Word: shapelessly
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During the latter scene, Phoebe is wearing a pair of shapeless sweat-pants, child's baseball cap in bright blue and a particularly loud sweater. The movie does no better with comedy than with romance--scenes that are not maudlin tend to be pathetic. There is a pronounced effort to make the cast look as unappealing as possible, presumably to add a comic touch and to scoff convention. "Who does your wardrobe, Quasimodo?" Jason asks Phoebe in one of his lucid moments...
...come by their wisdom and perspective honestly, especially Katherine, for whom L 'Engle's has concocted a truly harrowing life. But though each individual character and plot turn are vivid and arresting, the layers upon layers of personal interaction and tormented memory manage only to form a staggering, nearly shapeless mass. L 'Engle writes with care, even virtuosity, and she occasionally attains moments of manage only to form a staggering, nearly shapeless mass. L 'Engle's writes with car, even virtuosity, and she occasionally attains moments of great loveliness. But subplots, marriages and infidelities, abortions and accidental confessions multiply...
...normal concerns of sculpture, which impose themselves in a "masculine" manner on culture. What Bourgeois sets up is a totemic, surrealistic imagery of weak threats, defenses, lairs, wombs, almost inchoate groupings of form. Her work is by turns aggressive and pathetic, sexually charged and physically awkward, tense and shapeless. It employs an imagery of encounter to render concrete an almost inescapable sense of solitude. In short, it is physically, if not always formally, rich stuff, and one may be glad that the Museum of Modern Art and Associate Curator Deborah Wye have set it forth in such a detailed exhibition...
...must have relished pawing Nixon, who hated to be touched. For all Brezhnev's bulk, there was something oddly "dainty" about him, as Willy Brandt put it. Here was huge, shapeless Mother Russia dressed as a man, the androgynous nation full of bear hugs and danger...
Soyer's most successful pictures are his portraits and figure studies. Among the most impressive paintings at the Hirshhorn is his 1980 Paula Hondius, a portrait of old age. This painting of a shapeless body seated in an angular director's chair at the light-struck center of the canvas is a triumph of Soyer's unsentimental realism...