Search Details

Word: shared (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

Make no mistake about HUCTW. We aim to win at the negotiating table because we literally cannot afford to lose. And we will win as long as we share in a common purpose and common determination to achieve our goals...

Author: NO WRITER ATTRIBUTED | Title: Cartoon | 12/8/1988 | See Source »

Recent weeks have seen a rash of Walsh-sponsored proposals designed to make sure Harvard pays its fair share for city services...

Author: By Matthew M. Hoffman, | Title: A New Salvo Against Harvard | 12/6/1988 | See Source »

...LOBOS: LA PISTOLA Y EL CORAZON (Warner Bros.). Nine Mexican songs, contemporized but not homogenized by an ace rock band. Roots music for everyone to share...

Author: /time Magazine | Title: Critics' Choice: Dec. 5, 1988 | 12/5/1988 | See Source »

...mystery about the cause of the stepped-up slaughter. Says Raymond Kelly, an assistant chief of police in New York City: "We think the increase has a direct correlation with the use of crack," the cheap and readily available cocaine derivative. Kelly's figures show that the share of killings in New York that are drug-related has climbed steadily from about 25% in the early 1980s to almost 40% this year. The problem is double edged. On one hand, crack abusers frequently seem indifferent to the use of deadly force. On the other, the street-level drug trade...

Author: /time Magazine | Title: Slaughter in The Streets | 12/5/1988 | See Source »

Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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