Word: sharing
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Dates: during 1960-1969
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...other 250 will be freshmen who will take over one of the twelve undergraduate residential colleges. The results of the first year, Brewster explained, will help Yale to make basic decisions about its new coeducational status-in particular, whether the girls should have their own residential college or share buildings with Yale...
...says Haddad, "are not such purists that we can't isolate a problem and discuss it. We can both agree, for instance, on the need for developing black institutions." They plan to start a journalism training program for Negro and Puerto Rican youngsters. And they both share an enthusiasm for an uphill enterprise: New York City is not notably hospitable to struggling young newspapers. The Tribune is getting some help, editorial as well as financial, from an advisory committee that includes Time Inc. Chairman Andrew Heiskell, New York Times Associate Managing Editor Abe Rosenthal and Harper's Editor...
...people have been rude about Hector Berlioz," says English Conductor Colin Davis, and he wishes they would quit. Alas, poor Berlioz has suffered more than his share. In 1829, when he was 25, he submitted his passionately theatrical piece for soprano and orchestra, Cléopâtre, to the Prix de Rome committee. It was rejected with a scolding from one of the judges, who said, "You refuse to write like everybody else. Even your rhythms are new. You would invent new modulations if such a thing were possible." The story goes that when Gioachino Rossini was shown Berlioz...
...unsettling, in fact, that some who see them for the first time laugh outright. He finally made his first commercial sale a month ago. Moreover, Ryman is no longer alone. For the past year or so, a dozen-odd other, younger artists have been producing pictures or sculptures that share his work's maddeningly artless look...
...Rope Is an Idea. One change has been the new emphasis on soft, amorphous Oldenburgian constructions, works that fold and change from day to day. They share sloppiness and seeming crudity. Museumgoers in Chicago and Milwaukee this year found themselves climbing inside semitransparent, womblike constructions by Frank Lincoln Viner and Jean Lindner. Unlike Oldenburg's work, these works depict no recognizable object, but like it, they change with the touch of a human hand...