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...soil, rednecked goodness of the hill farms is posed against the black-soil, black-souled wickedness of the valley. Indeed the valley, Fate Laird is forced to decide in the end, is "like a pretty woman loaded with syphilis." The chief disease carrier is a dropsical old shark called Book Gresham, the tag end of Tuxahatchie's first family. In defiance of the 13th Amendment, Book Gresham keeps a slave called Bodoc whom he won in a crap game. Symbolically, Book is impotent, apparently the result of one of those odd Southern boyhood experiences (with a Negro woman "musty...

Author: /time Magazine | Title: Books: Homily Grits | 4/9/1956 | See Source »

...shark has pretty teeth dear...

Author: /time Magazine | Title: Music: Odyssey of Mack the Knife | 2/13/1956 | See Source »

...demon," urge her to break with poor Kan-ichi and take the rich man. Blinded by duty, Miya accepts. Insane with pain, Kan-ichi shrieks that "from this night forward I cease to be a human." Since money has mastered him, he will master money. He becomes a loan shark. Miya, meanwhile, is miserable with her wealthy husband, and he with her. Eventually, Miya and Kan-ichi meet again in the ashes of their misspent youth, and begin a new life together...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 30, 1956 | 1/30/1956 | See Source »

...Wilder sketch, starring Mimi Bowen, is a character study of a mother who is completely devoted to her family. Maeterlinck's play is a satire which features Steve Mandel as Achilles. Gogol's "Gambler," oddly enough, is about a tale spun by a master card shark...

Author: NO WRITER ATTRIBUTED | Title: On the Town | 11/19/1955 | See Source »

...took, as a matter of historic fact, more strong men than the Wehrmacht could provide. Audie took to soldiering like a shark to mullet. He was cool and quick, and when his Irish was up he laid about him like Kevin o' the Bogs. The picture makes this plain in combat scenes which could never have been napalmed off as the real thing without Audie. Credibility, burns in his mild face and gentle gestures as he moves through scenes of battle raptly, like a man reliving them with wonder and something of reverence. And just for a nervous instant...

Author: /time Magazine | Title: Cinema: Two Heroes | 10/17/1955 | See Source »

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