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...time, it looks unpolemical at first, and that is the source of its power. It sums up Rosenquist's vision of America as an Eden compromised by its own violence. The impact of its neon colors and yowling discharge of images has slackened little in 20 years. Like a shark silently threading a reef, the sleek body of the bomber passes through a succession of signs denoting the good life and ways of defending it; a bubble of air from an Aqua-Lung regulator mimics the burst of a nuclear cloud, over which is set an umbrella; the hole...

Author: /time Magazine | Title: Art: Memories Scaled and Scrambled | 8/11/1986 | See Source »

...London, with Games 73, 74 and 75 (all draws). But not before an opening round of press-conference publicity, in which Kasparov, asked about his playboy image, shrugged, "I must accept it," and said of his challenger, "Unfortunately I cannot choose my opponents." Karpov, the quiet, defensive killer shark, kept his hostility in check but brought along a public relations aide to praise his style as one that "belongs to the next century." The series will move to Leningrad after the twelth game. Will Karpov exact revenge? Not according to London bookies, who rate Kasparov an 8-13 favorite...

Author: /time Magazine | Title: People: Aug. 11, 1986 | 8/11/1986 | See Source »

Defense attorneys have argued that by making Walker its star witness, the prosecution is "using the shark to catch the minnow." Whitworth's defense may rest on Walker's testimony that the master spy never informed his friend that the stolen secrets were destined for the Soviets. In his final testimony, however, Walker said that "common sense" should have told Whitworth just who the buyer...

Author: /time Magazine | Title: A Case of Spy Vs. Spy | 5/19/1986 | See Source »

...first awareness of the presence of sharks alarms him hardly at all: "Nothing appears more innocuous than a shark fin. It doesn't look like part of an animal, even less part of a savage beast. It's green and rough, like the bark of a tree." Starving, Velasco manages to capture a small gull: "It's easy to say that after five days of hunger you can eat anything." He cannot stomach the sight of the dead, bleeding bird, torn apart by his own hands. He experiences alternating highs and lows, sometimes throbbing with the will to survive, then...

Author: /time Magazine | Title: Books: Solitude the Story of a Shipwrecked Sailor by Gabriel Garcia Marquez | 4/14/1986 | See Source »

...paintings: the stark abstractions, composed of thick bars, props and vectors of black on a white ground, that he made in New York after 1950. Their iconic monochrome stamped itself on American cultural memory as vividly as Pollock's drip, Newman's zip, Rothko's blur or the shark smile of De Kooning's women...

Author: /time Magazine | Title: Art: Energy in Black and White | 2/10/1986 | See Source »

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