Word: sharpe
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Dates: during 1960-1969
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Optimistic pessimists who believe that regional theater is the nation's dramatic hope can find some strong supporting evidence in Atlanta. There, a three-year-old shoestring repertory group that calls itself Theater Atlanta has been delighting sell-out audiences with a sharp, snappy satire that is as regional as the round little restaurant owner who is its subject: Governor Lester Maddox. Broadway, fortunately, is not so dead as to ignore a show that is pulling customers to West Peachtree Street from 30 miles around. Last week Edward Padula, producer of Bye Bye Birdie and A Joyful Noise, announced...
...light and so are customarily kept in museum storerooms, viewable only upon special appointment. A great pity, as this collection amply illustrates. The 300 selections present a remarkable range of style and subject and a surprising spectrum of soft colors (the chalks and washes) that often show off the sharp eye and skeletal strength of the artist better than works done in larger compass...
...appears that the bench will be fairly strong. Eric Gustafson, a two-year letter-man, will be Harrison's sixth man; he can fill in at any position and looked especially sharp in yesterday's scrimmage...
...other times, their reasons are sharp and to the point. Dean Glimp has said, "A private university like Harvard just cannot afford to decentralize the decision-making structure." And Dean Trottenberg told students who wanted seating, "The people who give money to Harvard seem to be quite pleased with the way the school is run right now. Will you be able to run it as effectively...
...PAINTING of a crucifixion Mirko uses a frigid yellow -- a moon yellow. With many black, downward curves to suggest mourners, and sharp linear arrows for Roman spears, pain and sickness hit a viewer immediately. Only then does he read the cross, the helmets or the realistic skull which Mirko makes the clue, the "bridge to reality." (Although sculpture is his main passion, Mirko does paint, draw and work in monotypes because each media has its own expressive quality. To investigate the "contemporary fourth dimension," like Picasso, Braque, and others before him, he painted musical instruments from many sides...