Search Details

Word: sharpness (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

True to its title, Nightlife sees the boys step up a notch from their traditional synth-pop to out-and-out dance music, opening with the one-two punch of "For Your Own Good" and "Closer to Heaven," both of which adopt the sharp high hats and deep basslines of trance music. But no matter how much the music pumps, no matter how optimistic the lyrics, Tennant's vocals continue to inject their trademark hopelessness on such pieces as "You Only Tell Me You Love Me When You're Drunk." "I Don't Know What You Want...

Author: By By DARYL Sng, CRIMSON STAFF WRITER | Title: Album Review: Nightlife by Pet Shop Boys | 11/5/1999 | See Source »

...last play of the evening, Anton Chekov's The Marriage Proposal, stands in sharp contrast to the Pinter and Williams works. The physical comedy of Chekov's piece seems almost inconsiderate after the grueling emotional turmoil of Williams' piece. Director Aidan Parkinson takes a burlesque approach to Chekov's story of a marriage proposal interrupted by disputes over trivial family rivalries. Dorothy Brodesser returns in drag as the scowling father of Natalia, the woman whom Chekov's feeble hero Lomov wants to wed, and Barlow Anderson as Lomov reaches feats of physical hypochondria that defy description. Parkinson's production comes...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: All's Love and Lost in Seductions | 11/5/1999 | See Source »

...Seth: "The tuxedos, while sharp and stylish, seemed to cramp the style of the three happiest men ever to form a band from Somerville...

Author: By Seth H. Perlman and Jimmy Zha, SPECIAL TO THE CRIMSONS | Title: Don't Fear the Future: Guster in Concert | 11/5/1999 | See Source »

...Oscillating between razor-sharp and nauseatingly trite (see above), director Eric Simonson's adapted script is too inconsistent to be praised. Besides containing about twelve too many characters (with not an interesting female role in the bunch), the script lacks the moral ambiguity that would have made The Last Hurrah a more intellectually engaging production. The press material for the play asks the seminal question "Is Skeffington a compassionate champion of the poor, an unscrupulous back-room deal maker, or both?" and it is clear early on in one's evening that the answer will not be hard to figure...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: The Last Hurrah Wins No Cheers | 11/5/1999 | See Source »

...British institution. In her hilarious Broadway debut, the self-dubbed dame sings a bit and muses about her family (Mum's in a "maximum-security twilight home"), but mostly she chats with the audience--or picks on it (though "caringly"). Humphries, a gloriously gaudy "megastar," has timing as sharp as a knife pleat...

Author: /time Magazine | Title: Theater: Dame Edna: The Royal Tour | 11/1/1999 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | Next