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...Admiral Sharp. Reports Johnson: "Covering part of a war from Hawaii is an odd experience. The languid beauty of the place makes it an incongruous setting for anything military. Otto Preminger's staged 'bombings' this week-part of a movie he is shooting here-did not shatter the peaceful illusion." Johnson was allowed to see the secret war room at CINCPAC, which he found quite different from the doomsday vault of a war room in Dr. Strangelove: "I kept looking for the button and I didn't find one. There was, however, the admiral...

Author: /time Magazine | Title: A Letter From The Publisher: Aug. 14, 1964 | 8/14/1964 | See Source »

...fail in the long descriptions due to overabundance (in two pages of storm description one sees cosmic wildcats, black crows, sails, masts, stone shoulders, Satan, and clouds of devils). And often they fail to evoke anything because they are simply overblown ("the sunrays wheeled about him;" "the spark and shatter...

Author: By William H. Smock, | Title: The Spire | 5/12/1964 | See Source »

Then the white-garbed clown gets into a harness himself, and, as he is hoisted aloft, the magician stabs him, the racist throws baseballs at him, and he is beaten by an irate sideshow barker. The cries of his death agony shatter the sound track. In a silence that follows, three empty harnesses dangle from their ropes, and the remorseful Magnus goes to put white makeup on his face. In the final scene an all-white figure is riding the donkey as the circus moves on. Is it the clown-or the puppeteer-or Everyman-or Christ...

Author: /time Magazine | Title: Protestants: Christ in Grease Paint | 4/24/1964 | See Source »

Nothing succeeds like an Italian opera singer who would rather split smoke in a nightclub than shatter chandeliers in an opera house. The pay is high, and the hazards are few. All such a singer has to do is to practice smiling appreciatively when the ignorant masses press in to say: "You are the greatest since Mario Lanza...

Author: /time Magazine | Title: Nightclubs: Present Incumbent | 4/3/1964 | See Source »

...stand, hand in hand, by the lake. The camera moves backward and we see their reflections in the water. They move away, yet their backs come towards us. The camera inverts, the lake becomes the land. But to dissect the scene in this manner as we watch is to shatter the stuble imagery that Bourguignon invokes. If instead, we suspend our critical faculties--sit back and let ourselves be fooled again and again--we may enter into manifold perceptions of the world...

Author: By Jacob R. Brackman, | Title: Sundays and Cybele | 3/26/1964 | See Source »

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