Word: shaw
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Dates: during 1950-1959
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Charles Laughton has done a rare thing--he has taken George Bernard Shaw seriously. Instead of trying to pretend that Shaw is a clever buffoon and that Major Barbara is a drawing-room farce with some incidental ideas, Laughton has staged the play as the impassioned sermon which it really is. His actors therefore do not bounce about the stage, they stand still whenever possible, and frequently they stand facing the audience directly. To make sure that the audience--next to the playwright himself, the most important character in a Shavian drama--is drawn right into the action, he cleverly...
...play is a sermon, however, it preaches by demonstrating. Just as Shaw himself debates with the audience, so the play's principal character, Andrew Undershaft, engages in a series of verbal duels with the rest of the cast. Laughton and his designer, Donald Oenslager, chose to underline this element of Shaw's way of constructing the play by making the main feature of the set two identical benches, placed on opposite sides of the stage and remaining fixed even when the scene shifts to a different location. Laughton, playing the part of Undershaft, almost invariably sits on or stands near...
...temperatures soared to the mid-eighties in Cambridge yesterday, Patrick P. Shaw '55-3 repaired to his roof in a late fall attempt at tanning...
Omnibus (Sun. 9 p.m., ABC). Shaw's Androcles and the Lion, with Bert Lahr...
Abolitionist Charles Sumner, objecting to the treatment accorded Sarah took up her case. There was no 14th Amendment yet, but an 1845 state law had made it actionable to exclude any child unlawfully from public school. The case reached the State Supreme Court, where Chief Justice Shaw upheld the principle of segregation. His decision, in part, ran as follows...