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...singles, big server Kevin Shaw did not have enough on his game to beat Columbia's Ken Cooper in the second round...

Author: NO WRITER ATTRIBUTED | Title: Tiger Bite Afflicts Crimson Racquetmen | 10/3/1977 | See Source »

...sang. Sam Bloomfield, director of the Leverett House production of the play that begins its run October 27, wants to restore the timeless story of the artist who chiselled away at the form of woman, only to discover he loved the substance beneath, to its Edwardian home. By presenting Shaw's play, which was first produced in London in 1913 as a reaction to Victorian morals, Bloomfield hopes to present, a picture of what Edwardian England was really like. The result should be better than any Henry Higgens ever got from Eliza--pure entertainment...

Author: By Diane Sherlock, | Title: Mistakes to Enjoy | 9/22/1977 | See Source »

...egos of writers, Cerf discovered, were as big as his own. George Bernard Shaw refused to let him put St. Joan into an anthology until he was promised a fee twice as large as O'Neill's-whatever that was. "Isn't that pretty babyish?" Cerf shot back. "All right, it's babyish," Shaw agreed, not at all put out by his effrontery. "Do you want it or don't you? Twice as much." Cerf paid...

Author: /time Magazine | Title: Books: Publishing Was His Line | 8/22/1977 | See Source »

Philosopher Clown. This apparently obdurate optimism may have been Shaw's final put-on. As machine-gun bursts of talk reduce argument after argument to rubble in Man and Superman, one becomes more and more aware of the self-divided ambiguity of Shaw's nature. Just as he was a celibate husband, he was a plutocratic socialist, a religious atheist, an irrational rationalist, a philosopher clown, a meditative activist and a sexually emancipatory puritan...

Author: /time Magazine | Title: The Theater: GBS: Holy Terrorist of Iconoclasm | 8/8/1977 | See Source »

...qualities Shaw most prized, he also possessed - moral passion and individual integrity. It is not surprising that he portrays hell in this play as a kind of sumptuous nightclub of gourmandizing delights and heaven as a spartan gymnasium of progressive ar dor. Shaw speaks the language of militant betterment, and it is at the heart of Man and Superman...

Author: /time Magazine | Title: The Theater: GBS: Holy Terrorist of Iconoclasm | 8/8/1977 | See Source »

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