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...LIFE FOR THE world's future," the devil's disciple cried from the gallows. It is a gesture of self-conscious heroism that would have done Nathan Hale proud, but in George Bernard Shaw's world of comic melodrama, it remains only a gesture. In The Devil's Disciple, Richard Dudgeon cannot die, for his life, as a newly-created American saint, and the world's future, symbolized by the birth of the United States, depend on each other...

Author: By Julia M. Klein, | Title: Sympathy for the Devil | 7/9/1976 | See Source »

...improbability, The Devil's Disciple, thanks to Shaw's gift for dialogue and character, is a highly entertaining work, and the Summer School Repertory Theater's spirited production does it ample justice. With the help of a distinguished cast, director Richard Edelman has mounted a very funny, generally convincing version of Shaw's unwitting paen to the U.S. bicentennial, though even Edelman and company can't quite make Dudgeon's transformation into a man of the cloth...

Author: By Julia M. Klein, | Title: Sympathy for the Devil | 7/9/1976 | See Source »

...boats at the salvos of Solzhenitsyn, a Russian Orthodox dogmatic and rightist. What mindlessness. I guess Wolfe called the piece "The Intelligent Co-ed's Guide to America" because in his tough-minded telling of the facts and courageous exposure of cant he believes himself the new Bernard Shaw...

Author: By Jim Kaplan, | Title: Big Bad Wolfe | 7/6/1976 | See Source »

...considerable logic in the American Shakespeare Theatre's decision this summer to fevive Artnur Miller's play about the Salem witch trials, The Crucible. This is, after all, a year in which special attention is being given to our country's history. The choice might well have fallen on Shaw's The Devil's Disciple, which dramatizes incidents in the American Revolution; but the AST gave us that play six years ago. Furthermore, would it not be better to offer a work not only about America but by an American...

Author: By Caldwell Titcomb, | Title: 'The Crucible'--Witch-Hunts Then and Now | 7/6/1976 | See Source »

...player. The chief agents are the use of "Mister" to address the men and of "Goody" (colloquialism for "Goodwife") to refer to the women, along with a lot of unusual third-person verb forms ("He have his goodness now"). But one has only to compare The Crucible with Shaw's Saint Joan--another play that climaxes with confession, recantation and martyrdom--to see how much greater a master of language the Briton...

Author: By Caldwell Titcomb, | Title: 'The Crucible'--Witch-Hunts Then and Now | 7/6/1976 | See Source »

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