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...pivotal center of the comedy is S Millamant, as iridescent a creature as a g dramatist ever pinned on paper. She is almost a pre-Shavian heroine, a kind of ' sexier cousin to Shaw's Major Barbara. Like Barbara, she is independent in mind and as spirited as a thoroughbred. Unlike Barbara, Millamant is a complete coquette, full of feminine witchcraft. She adores the marital chase but is eminently dubious about its outcome. She fears she "may dwindle into a wife." She faces marriage like a firing squad, but with her eyes open...

Author: /time Magazine | Title: The Theater: Canada's Dramatic Lodestar | 6/21/1976 | See Source »

...Between her first appearance onstage in 1904 and her last, in 1970, she gave thousands of performances, many of them with London's famed Old Vic repertory and her actor-director husband, Sir Lewis Casson. Her favorite role: the boisterous peasant revolutionary in Saint Joan, which George Bernard Shaw wrote expressly for Dame Sybil...

Author: /time Magazine | Title: Milestones, Jun. 21, 1976 | 6/21/1976 | See Source »

Some interesting and normally intelligent actors are involved in this nonsense. Robert Shaw is the master crook, and Martin Ritt, better known as a director (Hud, Sounder, Conrack), plays the Swiss cop who is his nemesis. Jon Voight plays Ritt's assistant - and unwitting tool - while Jacqueline Bisset does time as lover to both Shaw and Voight. Their skills are all frittered aimlessly away in a movie that offers slowness of pace as an earnest of artistic integrity. The only emotion that the audience is likely to work up watching this unconscionable bore is an irresistible desire...

Author: /time Magazine | Title: Cinema: Swiss Cheese | 6/21/1976 | See Source »

Except for Reiner, all of the Crimson singles players, Todd Lundy, Danny Waldman, Kevin Shaw, Jim Levy, and Andy Chaikovsky, swept both of their opportunities...

Author: NO WRITER ATTRIBUTED | Title: Racquetmen Pound Cornell and Army | 5/17/1976 | See Source »

...German translation of the Bible was the greatest single influence on his work. He was antiheroic; yet in Mother Courage he created one of the most arresting heroines in 20th century drama. As a Communist, he proselytized for the poor, but he was as tightfisted as the socialist Bernard Shaw when it came to his own money. And this coolheaded didact of "epic"theater and "alienation" effects was a sentimental idolater of Charlie Chaplin movies...

Author: /time Magazine | Title: The Theater: Sonata for Sharks | 5/17/1976 | See Source »

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