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Accompanying the text are a variety of photographs (reproductions and slides by Tod Stuart from The Carpenter Center for The Visual Arts), some enlarged to fill one or more whole panels, as a picture of Anna Howard Shaw, lace-collared feminist; some in old-fashioned oval cameo frames. Other graphics include illustrations of old sewing machines culled from early catalogues, some alarming anatomical diagrams captioned "effects of corsets on the rib cage and organs," a high-stepping Flapper, scenes of factory work--a whole range of women in their changing images...

Author: By Jan Nathan, | Title: Boston Women | 5/2/1975 | See Source »

Senior number seven man Ron Shaw said. "We've been working pretty hard all week. We're looking ahead to next weekend's sprints at Princeton, but we don't want to have the same letup as we did against Brown...

Author: By Audrey H. Ingber, | Title: Heavies to Face UPenn, Navy; Harvard Races for Adams Cup | 5/2/1975 | See Source »

...series of premonitory events, John D. Rockefeller gave presents of expensive bicycles to close associates, and lady cyclists abandoned their acres of crinoline for "rational clothing." H.G. Wells and George Bernard Shaw could be seen atop their new machines, and Scientific American soberly announced that "as a social revolutionizer [the bike] has never had an equal. It has put the human race on wheels, and has thus changed many of the most ordinary processes and methods of social life...

Author: /time Magazine | Title: Time Essay: The Full Circle: In Praise of the Bicycle | 4/28/1975 | See Source »

When it comes to the stage, Ingrid Bergman dotes on second-rate plays. In recent years she has appeared in inferior O'Neill (More Stately Mansions), hand-me-down Shaw (Captain Brassbound's Conversion), and now in fossilized Maugham. Bergman has treated each of these dilapidated vehicles as if it were the Queen's own royal barouche wheeling through the gates of Buckingham Palace. Indeed, Elizabeth II would not fault Bergman's acting technique-a tilt of the head, a flash of a smile and the wave of a hand...

Author: /time Magazine | Title: Theater: Fossil Pit | 4/28/1975 | See Source »

Parker announced his boats Thursday, including a change from the West coast searing. Al Shealy is still pulling the Pocock at the stroke position. Ron Shaw is at seven. Dick Cashin at six, and John Brock at five...

Author: By Richard J. Doherty, | Title: Harvard Cliff Crews Face Key Meets Today | 4/19/1975 | See Source »

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