Word: sheã
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...give tepid performances, to say the very least. Johansson, playing the stereotypically naïve Midwestern girl, is insufferably proud of herself. Her American accent jars horrendously with the smooth delivery of the British actors, and she spends so much of the film looking saintly that you wonder if she??s capable of original thought. Ordinarily an impressive actress, here Johansson seems more preoccupied with her clothing than with her acting. Hunt, on the other hand, has simply been miscast in the role of Lady Erlynne. Playing the quintessential woman with a mysterious past, she seems to have...
...thing itself is not what it is,” Senior Instructor and Artistic Director Emerita Claire Mallardi intones. “It’s that it’s going to lead to something else that you think is better.”She??s talking about the artistic process—specifically, about the delicate balance between work and play that every artist must find. “The mentality is that you study in order to party, or you commit to something in order to do something else,” she says...
...curiosity among passers-by. She says that she has gotten a wide range of responses concerning the monstrous circles—some people ask her if she will be storing supplies in them, small children climb on them like a jungle gym, and still others have mysteriously inquired if she??s found oil. Accordingly, a set of “response boxes” have been placed next to the piece. Some people have written that they’ve enjoyed the “country-climbing in the big city.” Others are less pleased...
...close out against her quick release. That frees up the lane for Moretzsohn, who at 6’7 is the league’s tallest player by four inches and already has an automatic hook shot from the right side. Budischak has battled injuries throughout the year, but she??s proven to be a consistent threat close to the basket as well. Rollins, finally, has the finest touch of them all and plays extraordinarily well with her back to the basket.“[The post game] makes us so much more versatile,” McCaffery...
...problem is Marshall’s slightly husky baritone. Within the structure of her higher-pitched and more rock-like previous work, it often gives an appealingly off-beat vibe. Within the deeper registers of country instrumentation, the listener simply can’t make out what she??s singing. The arrangements do little to make up for the bland vocal performances: the sound is cut-rate honky-tonk blues alternated with cut-rate Norah Jones jazzy-pseudo-neo-soul. That’s not to say it’s all bad, because when Marshall puts some...