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...result, Mendelssohn is more the hero of the evening than Shakespeare; Moira Shearer's dancing far surpasses any actor's speech; the ass's head that Bottom wears is more entertaining than Stanley Holloway's Bottom. Only Robert Helpmann as Oberon can render Shakespeare's diction as well as dance, can become something fleet, mischievous, magical-and believably Shakespearean...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Oct. 4, 1954 | 10/4/1954 | See Source »

Along with such notable starters, ticket buyers will have a choice of a second group of possible hits: All Summer Long, by Robert (Tea and Sympathy) Anderson, with John Kerr; Shakespeare's A Midsummer Night's Dream, with Mendelssohn's music and Moira Shearer's dancing; Graham Greene's The Living Room; Lunatics and Lovers, a satire on sex plays, by Sidney (Dead End) Kingsley ; Portrait of a Lady, an adaptation of the Henry James novel, with Jennifer Jones; Truman Capote's musical, The House of Flowers, with Pearl Bailey; Sam & Bella Spewack...

Author: /time Magazine | Title: The Theater: Coming Attractions | 9/20/1954 | See Source »

British Ballerina Moira (The Red Shoes) Shearer had her picture snapped in London as she practiced the Charleston for a film called The Man Who Loved Redheads, in which red-haired Moira plays four roles...

Author: /time Magazine | Title: People, Mar. 29, 1954 | 3/29/1954 | See Source »

...previous major attempts: Warner's A Midsummer Night's Dream (1935) with Mickey Rooney, Joe E. Brown and James Cagney; MGM's Romeo and Juliet (1936) with Leslie Howard and Norma Shearer. Financially and artistically disastrous, these productions convinced Hollywood that Shakespeare was "boxoffice poison...

Author: /time Magazine | Title: Cinema: New Picture, Jun. 1, 1953 | 6/1/1953 | See Source »

...actresses (including Joan Crawford, Norma Shearer and Paulette Goddard) in The Women, Rosalind Russell is the one usually best remembered by the millions who saw the picture. She became firmly established as the idol of a generation of less-than-beautiful movie-going girls who had to use smart clothes and bright chatter to lure men away from more luscious-looking females...

Author: /time Magazine | Title: The Theater: The Comic Spirit | 3/30/1953 | See Source »

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