Word: sheaths
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...Switch to Salt. Bell Labs' war on the grey squirrel dates back to the turn of the century, when the company first became conscious of the squirrels' appetite for the lead sheath in which telephone wires are encased. After the squirrels gnaw through the sheath, linemen found, moisture gets at the paper insulation around the wires, causing a short circuit and disrupting communications. Engineers went to work to find out what it is in the lead that appeals to squirrels. According to one theory, the squirrels are suffering from a nutritional disorder caused by a lack of calcium...
...came to a head a year ago. Fox wanted to type Marilyn once again as an emptyheaded, wriggle-hipped blonde in How to Be Very, Very Popular. Complaining that she was being miscast, and could fill a dramatic role as well as a satin sheath, Marilyn walked out. Fox promptly took her off the payroll...
...firsts stretches back 20 years. She was the first to modernize the dirndl skirt (1938) and the first to use trouser pockets and pleats in women's clothes (1938). She was the first with the widely copied "Monastic" dress, a full and shapeless forerunner of the pleated Grecian sheath and all the other unwaisted dresses. It seemed to have no form. But when it was belted on, it did great things for the female figure. It was McCardell who first started using blue-jean stitching for design in rough denims (1943), and she was the first with the "riveted...
...most people the starched white uniforms worn by nurses all look alike-but not to nurses. They are well aware that since Florence Nightingale tended the Crimea wounded in a long, grey tweed wrapper, nurses' uniforms have followed fashion from the Gibson-girl shirtwaist to the pencil-slim sheath. To nurses, the top designer and dressmaker is Manhattan's White Swan Uniforms, Inc. Last week White Swan brought out a fat new catalogue with 98 attractive styles. Newest additions to the line: a high-busted, low-waisted Dior-like model that could almost double as a cocktail dress...
...profession that specializes in novelty, Negro Chanteuse Joyce Bryant looks startlingly different. Her poodle-cut hair is dazzling silver, her inch-long fingernails are stained to match. Her dress is a backless, spangled sheath, and as she sings every inch of her lean body writhes feverishly. Last week, at 25, she was the headliner at Manhattan's Copacabana, and reaching for a spot among the top two or three Negro nightclub singers...